Posts Tagged ‘yahoo

by Ben Elowitz

While top publishers pull 5% of traffic from social, Wetpaint breaks a record at 38%

I was pretty excited in December when Wetpaint Entertainment became the #1 social publisher on the web, but this month’s Social Leaderboard chart is like that rare but spectacular sunny day in Seattle.  For the sake of modesty, I’ll explain further down the page.

Mostly Cloudy

Unfortunately, the sun isn’t shining on everyone.  Total social traffic to the Top 50 publishers fell by 13% in April.  As for social traffic as a percent of overall traffic, the average publisher lost 1.5 percentage points.  In fact, 48 of the Top 50 publishers lost ground on social traffic composition this month.

Facebook’s April experiments and changes to the EdgeRank algorithm are likely to blame.  Publishers who put Facebook at the center of their distribution strategy were able to rebound quickly, while others fell behind.

Who’s Weathering the Storm?

MTV made good on its reputation as one of the most social-savvy TV brands by breaking into the Top Five (and bumping CBS down to #7).  People reclaimed the #2 spot that it ceded to NBC in March.

Three new players showed up in the Top Ten this month:  welcome, The Guardian, Patch, and Yahoo!The Guardian gets the “most improved” award for advancing from 14th place all the way up to #6.

Of course, as in The Hunger Games, we can’t all be winners on the Social Leaderboard.  MLB, Break, and Us Magazine – three publishers who have consistently been in the Top Ten since January – were washed downstream in April.  Us Magazine in particular is all wet:  after slipping slowly from #3 to #5 to #6 over the last few months, it plummeted to #18 in April.  Ouch.

And Who’s Outperforming the Rest by 3X?

Not only is Wetpaint Entertainment the #1 social publisher for the fifth month in a row, but we’re now getting 38% (a Leaderboard record) of our traffic from social.  That’s more than 3x the social traffic of the second-best social performer (People), and almost 8x the average publisher (Top 50 average = 5%).  All in a month where we had record reach, as well (more on that soon).

Thanks to the team for working so hard to build and execute a best-in-class social distribution strategy that’s a cut (or two or three) above the rest.

by Ben Elowitz

How much social traffic did the top 50 web publishers attract in March?  The results are in – and it is a mixed month.

More Social Traffic

Measuring by total visits, March was the second highest month on record for social traffic to the top publishers.  The number of social (Facebook + Twitter) visits to the top 50 grew by 2.9% in March to 403 million.

But a Smaller Piece of the Pie

Volume growth aside, social’s share of traffic to the top 50 dropped slightly, dipping by 0.3% in March.  That’s because even while traffic from social grew, it didn’t grow as fast as traffic from other sources.

What gives?  It’s possible that each and every one of the top publishers’ social media teams was distracted last month by March Madness and solar flares.  It’s also possible that Facebook’s aggressive mobile push is putting downward pressure on this measurement (the comScore data we use for benchmarking overall site traffic doesn’t include mobile traffic, alas).

The Contenders:  NBC climbs, Us Magazine falls, and Wetpaint stays on top

The solar flares must have been particularly distracting to one publisher’s social team: Us Magazine continued its downward slide, falling out of the top 5 entirely this time after dropping last month from 3rd to 5th.

NBC is on a roll, climbing up another rung (after jumping two spots ahead in February) to #2 on the leaderboard.  NFL also ran the ball for an impressive number of yards, moving from #9 to #5.

Wetpaint Entertainment continued to hold a definitive lead, outperforming the closest rival by 9.3 percentage points.  We’re able to maintain this lead by constantly improving our proprietary social analytics and distribution system through rapid experimentation and a deep understanding of our audience.  The amazing thing is that our social growth has not come at the expense of search traffic.  Indeed, our search traffic has been rising as a result of our social success, and total traffic has recently hit record highs of 10 million uniques and more.

And we’re not done yet – social users are the most valuable users, and we want more.

by Ben Elowitz

We’re back with the Media Industry Social Leaderboard, fresh off the presses with February results.  For any newcomers, the Social Leaderboard is a ranking of the top 50 media publishers by their effectiveness at driving traffic from Facebook and Twitter.

Overall: No Great Shakes

From January to February, social traffic composition was flat, with the average staying at 7%.  The gap between Facebook and Google traffic coming in to the Top 50, which had been rapidly closing since November, froze in February with Google holding on to its 30% lead for one more month.

At the Races: Us Magazine Falls Behind

Only four publishers in the top 10 improved their social traffic scores this month: NBC (+1.5%) took third place by trading places with Us Magazine (the biggest loser in the top 10 with -3%, now at #5).  Break (+2%) and TMZ (+0.5%) leapfrogged the pack of MTV, NFL and MLB, pushing those three back to #8, 9 and 10.

One of These Things Is Not Like the Others

But the biggest mover and shaker was Wetpaint Entertainment.  Wetpaint took an even more decisive lead by adding 7% to social traffic composition since January, vaulting it into the elite group of publishers who, based on Compete data, receive more traffic from Facebook than from Google (in good company with People, Yahoo!, AOL, MSN, Fox Sports, and The Post Game).

With 29% of traffic coming from social, Wetpaint is outperforming its closest competitor by nearly 2x.  Is this a data aberration?  Some kind of leap year phenomenon?

Let me fill you in on the story behind the 29%: over the last two years, we took a gamble by building a new platform for social media distribution.  It wasn’t a sure bet, and not many other publishers were doing it, but we had seen compelling evidence that social was the only way forward for the media industry.

We threw all of our time and talent at the problem, building up a fan base while developing and testing and refining new strategies for delivering content through social channels.  We collected tons of data in real time about the preferences of our fans, and then we leveraged that insight to personalize and program their newsfeeds.

Today, the rest of the media industry is just starting to figure out the value of winning fans and courting likes.  But because of our early investment, we’re already two steps ahead – we’re focusing on what to do with our 1.7 million fans.  We’re delivering over 1,000 posts a week, each one targeted for the right fan with the right content at the right time.

And it’s starting to pay off.

 

 

 

 

 

 

 

 

 

 

 

by Alex Weinstein

Alex Weinstein (@alexweinstein) is the Director of Product at Wetpaint and the author of the Technology + Entrepreneurship blog where he explores data-driven decision making in the face of uncertainty. Prior to Wetpaint, Weinstein led technology initiatives in Microsoft Live Labs.

Every day, we go to our favorite news outlets and get our fix. We land on the same familiar sites. We seek out the kind of news that fits our fancy. We casually share the most interesting news with our friends – over dinner or online. And, tomorrow, it starts all over again.

Why? What motivates us to watch the daily news, read an opinion in a magazine, and come back to a favorite TV show? For content creators and distributors, it’s easy to think that it’s all about the content.  This view is based on the notion that people desire the intrinsic value of content, such as the knowledge hidden in a report, or the laugh they experience from a comedy sketch.  But this idea is too flat, and it ignores a more powerful force that’s at work, and that drives the tremendous confluence among target populations when it comes to what they read.

Indeed, in many cases, a deeply human driver is far more valuable than the information itself. And that driver is the desire to be a valuable, appreciated member of a group.

As the graphic below shows, this desire maps directly to Maslow’s pyramid of human needs – the need for esteem.

(diagram from NYTimes – http://ideas.blogs.nytimes.com/2010/07/16/revising-maslows-pyramid/)

After taking this pyramid or hierarchy of needs in, it becomes clear that, as publishers, we must pay attention to the amount of influence, respect, and social value that audiences are able to earn from their friends after consuming content.

Let’s look at a few examples.

For World of Warcraft geeks, a news article on a long-tail site that covers the latest artifacts is true gold – because it will help them be the most informed in the eyes of their guild.

For fans of Bachelorette, watching the latest episode is very much about having a water cooler conversation about it next day – and the potential social connection that brings.

For Politico readers, it’s about exerting influence on their Facebook friends after they share a controversial editorial.

And, for Lolcats readers, it’s about making their friends laugh for the umpteenth time with a new, undiscovered photo.

Each of these examples is about social influence and social esteem.

Here’s the take-away for publishers in all of this: a key component of the value of the 21st century media company is about helping audiences gain the attention of their social circles.

This represents a radical shift from what we’ve seen over the past decades.

Instead of trying to capture and direct the reader’s attention (“Look at my 100-year-old brand! I curate the world and know best what you should look at!”), the publisher becomes a back-stage prompter, helping readers utter the words that will make them the center of attention among those they care about. The reader can then become an even stronger influencer, or taste-maker.

Every time a friend consumes something that you’ve read, you’ve successfully directed their attention. Your social bank account just became more valuable. And every time publishers help make this transaction seamless and smooth, they are helping you earn some social gold.

This is why Washington Post Social Reader and Yahoo Social are such smashing hits.

Readers want to consume content within these apps, because of the feedback loop from their friends.  (“Hey, I saw you read this article, and I read it, too.”) This is a self-reinforcing pattern that creates social value for all the participants. These publishers, and Facebook’s timeline apps, put audiences first; and, in the process, they generate an ever-increasing amount of social value for readers.

Note that curation and brand very much play into this the social value generation; nobody wants their friends to be misinformed or displeased by media that they endorsed. Content is still king.

If, say, the Washington Post wanted to take this experience to the next level, it could make curation even more personalized. Instead of telling readers that they must care about the Russian presidential election via a big front-page photo – completely ignoring the fact that sharing this knowledge will drive zero social value to its readers – the Post could cater to the unique values of each reader. To do so, it could measure the social response from the reader’s audience – and then personalize the content based upon this response. It’s essential to point out, however, that the reader’s interest – and the response of his or her audience – are not mutually exclusive; a smart personalization algorithm will take both of these factors into account.

That said, in the end, publishers must awaken to the fact that social influence and social esteem are key matters for their audiences today.

by Ben Elowitz

In yesterday’s Media Industry Social Leaderboard, I noted that leading web publishers on the web saw a staggering 17% increase in their social traffic from November to December.  These top 50 websites are now averaging about 8 million referrals per month from Facebook.

At this rate, the question asked by Fred Wilson and others is:  how long until social drives more traffic than search?  Based on data from Compete.com, it won’t be long at all.  Let’s look at the specifics.

Facebook Drives Almost As Much Traffic As Google

When it comes to driving traffic, the gap between social and search is already smaller than most realize.  In fact, for every 100 visits that Google sent to the top 50 web publishers in November, Facebook sent 62.  By December, it was already up to 73 visits from Facebook for every 100 from Google.

At the same time, search traffic to these publishers is stable to declining, with Google referrals falling 0.5% over the same period.

So how long until Facebook outranks Google?  If these monthly rates of change were to continue apace, Facebook traffic would outrank Google traffic for the top 50 publishers in aggregate by March of this year!

Seven Publishers Already Get More Traffic From Social Than Search

Shockingly, Compete.com data shows that already seven of the top 50 publishers get more traffic from Facebook than from Google:  MSN, ThePostGame, Yahoo, Aol, People, Fox Sports, and US Magazine.  These seven publishers received in aggregate 12% more visits from Facebook than they did from Google last month.

And that set of publishers has already grown by five from just a month earlier, in November of 2011, when only MSN and ThePostGame showed more traffic from social than from search.

But seven is just a snapshot in time.  Based on recent trends, by the middle of this year, I’d expect it to grow to a dozen publishers or more.

 

Facebook is Over-Taking Google as a Traffic Source to Top 50 Web Publishers

by Ben Elowitz

Regular readers know that  it’s only a matter of months before social becomes the most valuable source of traffic for most publishers.

And this month’s Media Industry Social Leaderboard is sure to make you even more convinced.  So let me get straight to it:  From November to December, the amount of traffic the top 50* publishers received from social grew by a whopping 17%.

And, when it comes to who is best benefiting from social, let’s just say I’m personally very proud to announce the new leader, which, for the sake of modesty, I’ll do lower down the page.


Social Traffic Surging

As noted previously, the major changes Facebook announced at September’s f8 event caused a significant blunt in traffic to publishers last fall.  Well, the hangover has ended.  With 385 million aggregate visits to the top 50 publishers in December, volumes have recovered to pre-f8 levels.

The average top 50 publisher is now receiving almost 8 million visits per month from Facebook and Twitter.  And in December, 48 of the top 50 publishers saw increased social traffic levels over November, with these publishers averaging a 2.1 percentage point increase in their composition.

At the same time, Twitter has grown in its contribution to the traffic pie, increasing over the course of the fall months from 2.2% of total in September to 3.4% in December.

A New Leader: Wetpaint Ranks #1

As you know from my prior columns, one of the reasons I’ve published this leaderboard is because we set a goal for Wetpaint to reach #1.  What I didn’t tell you previously is the timing: our goal was to do so by the end of 2011.  And there is nothing we get more proud of here at Wetpaint than meeting our goals.

In December, Wetpaint Entertainment social traffic benchmarked at 20.8% of visits, even as our total traffic was at near-record levels.  (Our internal numbers show an even higher contribution.)  This outranks all of the top 50 web publishers, besting the number-two by nearly five points.

Allow me a moment to kvell:  I could not be more proud of the entire Wetpaint team who have achieved this goal.  Beyond the amazing results, they have built an amazing social distribution system and playbook that leads the industry.  With the virtuous cycle the team has built, we are getting significantly better every month.


Other Movers and Shakers

How did the other leaders from prior months do?  People, the previous leader, improved with 16.1% of traffic from social, increasing by 3.9 percentage points even as it fell to the #2 position.

In third place now, US Magazine vaulted all the way up from position 19, improving from an average 3.9% to achieve 14.3% of their traffic from social.  If you have any idea what drove their results, let me know.

As for places #4 and #5, CBS and NBC traded their two slots, with NBC gaining by 4.2 percentage points while CBS gained by only 3.5 points.   And all of that activity pushed MTV down to #6, gaining far slower than the others.  All the details are, as usual, in the table below.


Facebook Is Sending More Traffic Out

Publishers are clearly benefiting as Facebook delivers on its potential to be not just a network but a social operating system for the internet.  In December, we saw the best increases go to the most social publishers (top 10 on this leaderboard), who saw a 4.5 percentage point increase in social traffic composition month to month.

Innovation is attracting large audiences on Facebook.  In particular, the four publishers driving traffic via social readers have increased their share of Facebook traffic to the Top 50 web publishers by 70%.  Yahoo (not included in the 4 just described) has also begun experimenting with social reader tools across select sites and is seeing strong early results as well.  In just two months, Yahoo! News US has reportedly seen a 300% increase in Facebook traffic, driven by 1 million “reads” shared daily.


The Traffic Land Grab Is On Now

We are clearly in the land grab phase on the social web.  Those who are investing early in social as a top objective stand to gain the most – while others may be left behind.

But as my discussions with other media companies show, social is not a simple check-box initiative.   It requires complete buy-in from the CEO to transform the organization with social distribution technology and expertise.

It can be done, as our own experience at Wetpaint as shown:  In less than two years, we have launched a new property and already outranked all of the top 50 publishers on the web.  Now we want more.  And I hope you do too.

 

Details for all 50 top publishers:

MONTHLY RANKINGS

PUBLISHER

 

 

Dec

Nov

Oct

Name of Publisher (Owner)

URL

Monthly Uniques

% from Social

Change

1

2

3

Wetpaint Entertainment

WETPAINT.COM

                3,076,202

20.8%

10.1%

2

1

1

People

PEOPLE.COM

              13,203,882

16.1%

3.9%

3

21

19

US Weekly

USMAGAZINE.COM

                9,339,801

14.3%

10.4%

4

5

5

NBC Universal

NBC.COM

                6,972,501

12.3%

4.2%

5

4

4

CBS

CBS.COM

                7,367,642

11.7%

3.5%

6

3

2

MTV

MTV.COM

                9,920,294

10.7%

2.1%

7

6

7

TMZ

TMZ.COM

13,208,667

9.6%

2.2%

8

13

16

Break Media

BREAK.COM

                8,603,649

9.4%

4.2%

9

8

6

Major League Baseball

MLB.COM

                6,653,288

9.3%

2.3%

10

9

11

Patch (Aol)

PATCH.COM

9,917,563

8.7%

2.2%

11

14

12

Discovery Channel

DISCOVERY.COM

             12,769,340

8.5%

3.4%

12

7

9

Yahoo!

YAHOO.COM

            167,257,797

7.6%

0.5%

13

10

10

Aol

AOL.COM

              50,093,953

7.4%

1.1%

14

15

15

CNN

CNN.COM

              45,650,334

7.1%

2.1%

15

12

13

IGN (News Corp)

IGN.COM

              10,263,828

6.7%

1.4%

16

23

25

MailOnline

DAILYMAIL.CO.UK

              16,656,093

6.4%

2.8%

17

25

22

TIME

TIME.COM

                9,256,468

6.3%

2.7%

18

16

14

TV Guide

TVGUIDE.COM

                7,546,763

6.0%

1.3%

19

11

8

The Guardian

GUARDIAN.CO.UK

                8,495,543

6.0%

0.0%

20

19

18

FOX News (News Corp)

FOXNEWS.COM

              24,444,163

5.9%

1.3%

21

29

23

CBS News

CBSNEWS.COM

              12,064,240

5.7%

2.6%

22

24

26

CBS Local

CBSLOCAL.COM

9,574,168

5.7%

2.1%

23

20

27

The Washington Post

WASHINGTONPOST.COM

              18,671,039

5.5%

1.4%

24

18

17

MSN

MSN.COM

           111,990,691

5.3%

0.7%

25

30

32

New York Daily News

NYDAILYNEWS.COM

                9,585,617

5.1%

2.1%

26

17

20

BBC News

BBC.CO.UK

              14,480,236

5.1%

0.4%

27

41

36

FORBES

FORBES.COM

              12,232,929

5.0%

3.0%

28

26

31

The Huffington Post (Aol)

HUFFINGTONPOST.COM

              36,196,784

5.0%

1.6%

29

31

28

New York Post

NYPOST.COM

                8,085,270

4.8%

1.8%

30

37

41

Bleacher Report

BLEACHERREPORT.COM

                9,178,003

4.7%

2.4%

31

22

21

New York Times

NYTIMES.COM

              30,575,839

4.6%

0.8%

32

34

29

Cartoon Network (Turner)

CARTOONNETWORK.COM

              10,600,092

4.5%

1.7%

33

33

30

Nickelodeon (MTV Networks)

NICK.COM

                9,752,977

4.5%

1.5%

34

27

24

IMDB (Amazon.com)

IMDB.COM

              38,220,405

4.3%

0.9%

35

32

35

Los Angeles Times (Tribune)

LATIMES.COM

              17,080,642

4.2%

1.2%

36

40

39

FOX Sports (News Corp)

FOXSPORTS.COM

              22,401,409

4.2%

2.0%

37

36

34

Food Network (Scripps)

FOODNETWORK.COM

              19,614,352

3.8%

1.2%

38

39

37

Wall Street Journal (News Corp)

WSJ.COM

              12,521,560

3.6%

1.4%

39

35

33

Allrecipes (Readers Digest)

ALLRECIPES.COM

              25,288,480

3.5%

0.8%

40

45

42

CNET (CBS Interactive)

CNET.COM

            28,948,963

3.1%

1.5%

41

38

38

Reuters

REUTERS.COM

              11,692,493

3.0%

0.7%

42

44

45

CNBC

CNBC.COM

                5,674,719

3.0%

1.3%

43

43

44

Bloomberg

BLOOMBERG.COM

                7,515,601

2.8%

1.1%

44

46

47

Businessweek (Bloomberg)

BUSINESSWEEK.COM

           7,964,543

2.6%

1.0%

45

28

43

USA Today (Gannet)

USATODAY.COM

              17,222,775

2.6%

-0.6%

46

42

40

WebMD

WEBMD.COM

              11,901,016

2.5%

0.5%

47

47

46

LIVESTRONG (Demand Media)

LIVESTRONG.COM

                9,464,669

1.8%

0.5%

48

48

48

About.com (NY Times)

ABOUT.COM

              58,684,194

1.6%

0.6%

49

50

50

eHow (Demand Media)

EHOW.COM

              45,015,977

1.5%

0.8%

50

51

51

ThePostGame (Yahoo)

THEPOSTGAME.COM

              18,321,581

1.4%

0.8%

51

49

49

Mayo Clinic

MAYOCLINIC.COM

                9,198,317

1.4%

0.5%

* The publishers included in the Media Industry Social Leaderboard are the top 50, as ranked by comScore-reported uniques, whose primary business is web publishing.  Once they are selected, data from Compete.com is used to estimate the amount of traffic referred to each by Facebook and Twitter. 

by Ben Elowitz

This article was published as a guest post at TechCrunch, and is republished here for Digital Quarters readers.

Without question, one of the greatest gifts of the human species is our ability to communicate.  We can create, transmit, and absorb ideas with immense freedom in pictures, speech, writing, music, and more.  And yet, from the earliest days of man until very recently, the state of the art of media has been about as sophisticated as cave paintings.

Taking this a step further:

Truly great communicators don’t start out by focusing on their message.  They start with their audience.  They research, observe, and monitor every knowable detail – from background facts beforehand to micro-reactions during the conversation – and adjust their content and delivery precisely, so it will make an impact.  But it’s not like this is a secret formula.  Even toddlers do it, carefully measuring parents’ reactions and perpetually tuning in to the behavior patterns that get them the attention they want.  That tuning is carefully optimized to achieve maximum effect from each individualized recipient.

Meanwhile, media has virtually ignored its audiences.

But it’s finally beginning to open its eyes and ears to them through personalization. I believe that personalization has the greatest potential to transform the media business.

But before we get to that, let’s start with what’s gone wrong in media that has made us blind to our audiences’ cues.

In the world of print and broadcast, there was fundamentally no data about audience interests or reactions.  It was impossible to “read the room,” because the room was pitch black.  If media leaders’ eyes were closed, I’d be hard pressed to blame them; there was nothing to see.

As a result, there were two operating principles that made sense at the time, but which have since become outdated anachronisms.

First, that an editor should serve as oracle for what the audience desires (I call this the “Editor Fallacy”); and second, that content created in that vacuum of data should then be distributed as broadly as possible (let’s call this the “Broadcast Assumption”).

These two assumptions – even though they came from the print and broadcast legacy businesses – have errantly managed to drive the entire Web media mentality.

And the resulting misguided formula – across the board – has been Prophesize, Publish and Proliferate.

The big hope with this media Ouija Board has been that the guesses will be right, and that those who broadcast widely will then draw a big audience.  When the guesses miss the mark with audiences (no surprise there), publishers turn up the volume or amp up the sensationalism. To some degree, this is why the Huffington Post succeeds with its brash and blaring headlines, and it explains why, thanks to Henry, we’ve collectively Blodgetized Web 1.0 media.

But to make room for the new media model of the next 100 years, we need to let these old assumptions fall by the wayside.  The new vision is for media to start doing the work that each member of the audience already does; and that means deliberately selecting and contextualizing the media we each consume.

Putting it simply: media’s great opportunity is to bring the right content to the right person at the right place and time.

And this is where things get very interesting.

Bring Me My Very Own World

The social transformation of the Web has already taken us half way down the road toward a personalized future.

We finally recognize that the Web is made up of people, and Facebook and others have made people and relationships the key “nodes and edges in the graph” of the Web, replacing pages and links.  The social Web is now people-centric; and, increasingly, social is becoming the operating system for the Web at large.  Most impressively, “what my friends like” is already proving to be a good starting point to predict “what I like,” and so much of the Web is beginning to get at least a clue of how to serve us.

Despite this tremendous progress, however, when you go behind the scenes, the Web is still organized by data, not by people. Server data is affiliated with accounts; cookies are associated with Web browsers; and activity logs are tethered by IP addresses.

And yet, as the social revolution has proven, the real value of the transformation has been to stop looking at me as an IP address, a browser, or an account; and to start holistically realizing that I’m a person – I am me.

So, the great opportunity is to move from a Web of sites to “my” Web of me.

Media is at a critical transition point today, because we are about to completely redefine our sense of the audience. Starting now, the audience is no longer one massive opaque agglomeration. It’s not a “them” or an “us”; it’s a lot of individual “me’s.”  (This must-watch from Monty Python paints the picture.)

In this context, the Broadcast Assumption of content creators is completely out of touch with the 21st century zeitgeist.  It revolves around the played-out maxim of “create once, distribute everywhere,” which made sense when audiences were opaque and distribution channels were just big dumb pipes.  But it totally ignores the “me’s” in the audience – when it comes to both creation and distribution.

The bottom line, then, is that media experiences, which used to be one-size-fits-all, must now be customized so they’re just for me.

In other words, the media experience of the future must take a cue from Facebook, and bring my world to me – regardless of where it originated. 

The Six Elements of Ultimate Digital Personalization

Social represents progress toward this vision of fully personalized media, but it’s only one part of the game.

In my view, there are six key elements that contribute to ultimate digital personalization – and these elements are the basis for the ultimate success model in digital media:

  • It’s social – What happens to people close to me is important, because these people are important to me.
  • It’s curated – People aren’t just content sources themselves; they’re also curators. To know me is to know my tastemakers.
  • It’s an experience, not just a stream –Newsfeeds and timelines are a meager start.  Twitter’s 140-character format is great for insiders, but it’s inscrutable for Grandpa. Personalized media should come in all formats – not just a feed.  And it will be more powerful (and more profitable) when it creates an immersive experience.
  • It’s incredibly, incredibly smart about what it recommends, and what it doesn’t – But better than today’s Facebook and Twitter, it brings me the right content, not all content. I trust it to filter the world for me, and to highlight what’s important to me out of billions of pieces of information.
  • It’s self-refining – Speaking for myself, it would know to bring me news about digital media; about my company; about my friends’ reviews of great restaurants in Seattle, LA, and New York; and, in the winter, a helpful article or two on snowboarding tips would be greatly appreciated. It would also turn down articles about Glenn Beck, and turn up the latest find from Brian Stelter. And, before you cry (or scream) “filter bubble,” let’s get it straight that this is what I do already.
  • It’s not just the content that’s personalized – It’s the advertising, too. Today’s version is very primitive: I go to a Web site once and its ads follow me around for weeks. But, instead, my demographics, interests and intent should all combine to inform what ads to show – and not show – me.

After considering these six elements as a whole, I’m most inspired (and encouraged) by Facebook, Twitter, AOL Editions, the recent Flipboard clones, NetFlix, and the potential of a new Siri-powered Apple TV.

Each of these demonstrates the central aspect of this new vision for media: bringing my world to me.

Data Is the Currency of Personalization

To be successful, we all need to be data companies – as data is the clear way to know what our audience wants.  Data is the currency of personalization, and so it is our best path to delighting our audience.

News sites should know by now what topics and stories to program for whom; and no sports site should serve a balanced home page when no sports fan likes all teams equally.

It’s an approach that, of all companies, Yahoo! ‘gets’– and for them it’s been paying huge dividends for a long time.   And so it should for the rest of us.

What this means for media is that it’s not all about the content – instead, it’s all about the audience.  And that means the nature of media has changed.

It’s all about you. It’s all about me.

That’s the digital media future. And we need to start going there today – because audiences are asking (and even demanding) that we pay attention to them, that we really know them, as true individuals.

So, if you’re a publisher, here’s the challenge as you try to create meaningful content experiences today: Each member of your audience – no matter how vast it is – has to become the most important person in the world to you. Or, looking at it in a slightly different way, you have to become deeply involved and digitally intimate on a global scale each and every day.

by Ben Elowitz

Back by popular demand is an updated ranking of the Media Industry Social Leaderboard.  As a reminder, my company and I are obsessively focused on data about the social web – so much so, that we decided to track and publish not only our own results, but those of the top 50 media companies.  This is all captured in the chart below which profiles the top 50 web publishers’ effectiveness at driving traffic from social media.

For the inquisitive among us, you’ll note that we determine the top 50 relevant web publishers; then, using data from Compete.com, we determine and chart how much of their traffic is from Facebook and Twitter.

One important note is that Facebook’s changes in its algorithms launched at F8 impacted nearly all publishers in this ranking – more on that in a moment.

But first, let’s get to the results:


Facebook Traffic Down by 13%.

The first thing you’ll notice is that the bars are lower this month. In fact, over 90% of the top 50 web publishers saw a decreased percentage of their visits coming from Facebook and Twitter in October, with the bars shortening on average by 50 basis points.

In terms of aggregate performance, if you sum the total Facebook visits for all properties, they’re down 7.1% October vs. September, and 12.8% comparing October vs. the pre-F8 August highs.  We believe this trend is the direct result of the F8 algorithm changes made in mid-September.  Savvy social publishers (ourselves included) have been battling to reclaim previous highs since the F8 changes; but by October few had recovered.  The chart below highlights the reduction in referrals from Facebook to publishers over the course of their algorithmic change.


Winners and Losers:  CBS down; People, MTV, Wetpaint up

CBS has continued to fall in social traffic composition (-3.7% September-over-August, -5.5% Octocber-over-September), moving from the top rank on the Media Industry Social Leaderboard to number 4.  Unclear what has caused this decline although one hypothesis could be an increase in either SEO or paid audience acquisition.  If you have any insight here, shoot me a note.

Closer to home, People, MTV, and Wetpaint maintained their relative rankings and have moved to the top 3 spots.  At Wetpaint, we credit our climb up the ladder to our relentless A/B testing that has allowed us to understand what our audience desires in a deep way, and inform our editors with this insight.  The result is that we are creating, packaging, and distributing the right content, at the right time and our audience has voted with clicks, likes, and shares.

by Ben Elowitz

This post was originally as a contributed piece to Fortune.  It is republished here for Digital Quarters readers.

Tech’s top firms — from Apple and Google to Amazon and Netflix — are vying to reshape media with different game plans. Here’s what they each need to know.

Digital media has the power to change the world. Actually mastering this 21st century business (and art) is unbelievably hard, however. That begs the question: The top media companies all know they need to make changes — but how do they find the right change and execute well? Let’s look at this question through the lens of six key players in the digital media revolution.

Apple (AAPL): Transform the rest of our digital experience.
It may seem arrogant to give advice to the one company that has surprised everyone again and again by being light years ahead of the industry — as well as the consumer. Yet, in a new era of leadership, the most important thing for Apple will be holding on to Jobs’ core values and strength. As corporate leaders go, Jobs was always the best change agent on the planet, and he was never willing to accept the status quo. That’s why Apple is a perennial leader when it comes to devices and distribution for premium media content like music and movies.

The Apple crew must extend its golden touch to the rest of the digital media device world. It’s time to supply the living room with a first-class TV experience; and to seamlessly flow all entertainment between the mobile, iPad, TV, and desktop worlds. AirPlay, iCloud, and AppleTV aren’t all the way there yet. Apple’s next challenge is to make devices that leap forward and bring entertainment and applications wherever I am, and to know me as one person across all of these environments. To do so — and to do so well — will take a huge imagination. And, even without Jobs himself, it’s clear that if anyone can do it, it’s still Apple.

Facebook: Be everywhere the consumer is.
More than any other company on the Web — even Apple — Facebook has changed the nature of digital experiences. It’s already established itself as the dominant social operating system for consumer audiences. And yet it has the potential to go much, much farther. If you need more proof, just this month Facebook announced that it will be facilitating the spread of mobile applications, not to mention linking into them — finally bridging the gap between Web and app. It’s invading Apple iOS’ and Google Android’s territory, providing the cross-application linkages that have always unequivocally been the job of an operating system.

Increasingly, Facebook has the opportunity to wire consumers, applications, data and devices together. But for Facebook to do this, Mark Zuckerberg will need the kind of imagination that Steve Jobs had. Indeed, Zuckerberg will have to imagine a whole new ecosystem, this time one where Facebook facilitates all connectivity. He’s proven he can execute already. But can he take on a vision this big?

Google (GOOG): “What got you here won’t get you there.”
This trademark phrase from Wetpaint COO Rob Grady is particularly apt in Google’s case. Google is the undisputed king of finding answers to questions — as long as they’re being asked from desktop and laptop computers. But when it comes to applying its great search strength to mobile environments, tablet devices and communications, Google is still lost. While the Android operating system is clearly one of the winners, it doesn’t give Google the essential financial success in mobile that it has on the desktop. Google needs to reinvent itself. It needs to make a bold “burn-the-bridges” move, adopting a Reed Hastings-like philosophy that the company cannot rely on search alone. Only, in Google’s case, it’s even harder.

Here’s why: Hastings had already clearly identified the next wave’s product at Netflix (NFLX) — streaming video over the Internet — but Google has to find a new vision altogether. This is not to say that Google needs to exit the search market by any means. But, instead, it must reinvent its own search portfolio, the way Intel (INTC) reinvented the microprocessor generation after generation, always allowing its newest chip to put the last one out of business, before the competition did. Indeed, Intel’s sustained success was built, in part, on destroying what worked and replacing it with something that worked even better. Google’s new vision should surely have three components: mobile, search and social. The good news is that, thanks to Android, Google already has A+ platforms to build on the first two.

But search needs to get beyond the query box, and the mobile device can be more than a phone plus PDA. Google’s challenge — and its opportunity — is to reinvent it as a completely connected device that is woven into the fabric of daily living. It should know where I am, who I’m with, and what I’m doing — or at least have some educated guesses. It should make the next interface leap that helps us leave the thumbs behind. And, it should be a digital companion that picks up on environmental cues and helps me live my digital life. Siri has opened our imagination; but Google has amazing voice recognition, algorithmic and platform strength to accomplish these things. Now it sorely needs to understand people. That’s the most pressing — and most problematic — task for Larry Page and his team in 2012.

Amazon (AMZN): Fully bridge digital media and commerce.
If Facebook is the ultimate platform for social connectivity, it’s pretty clear that Amazon should be the ultimate platform for media and commerce. Amazon has already made amazing progress in redefining itself. It started as a bookseller, became a retailer, began representing other retailers and, most importantly, has morphed into a media and device company. And, as if that’s not enough, its Web Services power tons of other companies that make the Internet fascinating.

That said, a scattershot approach won’t help Amazon become the single defining platform that bridges digital media and commerce. Amazon has tremendous assets in its catalogue, in terms of both physical and digital goods. And it also has devices that give it a unique channel to the consumer — for the time being, at least. But to fulfill its true potential, Amazon needs to extend its platform all the way to commercial transactions, wherever they happen.

Beyond digital goods, Amazon should be working on digital currency and customer management; an acquisition of Square would be a tremendous accelerator here, and it would ultimately help Jeff Bezos and his team power transactions wherever in the world they take place. What Facebook is to our social transactions, Amazon should be to our commercial ones — an OS for commerce. Indeed, Amazon has the opportunity to provide OpenTable-like services, for all commerce, not just for the restaurant industry. It’s already got the goods and the customer relationships. <ow it just needs the focus on the bigger opportunity.

Yahoo (YHOO): Decide what the brand really stands for.
On one hand, Yahoo is the most impressive all-digital media company there is. It has tremendous access to a huge audience of consumers, a broad product portfolio, an unrivaled heritage as a first-generation superstar and a unique reach into Asia. And yet, it’s also the most disappointing digital media company in the marketplace, so much so that its brand increasingly stands for nothing in particular to most of its audience.

Of late, attention has been focused on Yahoo from a financial point of view. But whoever eventually buys the company must look beyond integration, splitting and cost cutting. Instead, the acquirer will have to figure out what to do with Yahoo’s core. And it all comes down to one key question: What can Yahoo provide to its audience to earn their attention every day?

To date, the hook has been email. Yahoo Mail is responsible for about 75% of Yahoo’s media traffic. But Yahoo Mail isn’t growing. In the last year, it shrank slightly (<1 %), according to data from comScore. So, for Yahoo, the choices are to innovate in communication to leapfrog Gmail, Skype, and the lot; or else to do the hard work and start figuring out again what Yahoo really stands for. The company has great roots. It has a natural brand for serendipitous discovery, for fun and interesting news to make your day. The bottom line is that Yahoo should be able to execute on both the options listed above, hopefully without waiting for the financial dust to settle.

Washington Post (WPO): Re-inventing media’s most ravaged category.
If we had to name the most ravaged sector of media, it would certainly have to be newspapers. Don Graham recently said the industry is “collapsing.” But, he’s not just watching it happen; he’s actively and energetically intervening. I’ve been incredibly impressed by the way Graham and his team are up for re-inventing the category, especially as I’ve talked to other organizations that are nearly paralyzed. Instead, WaPo is applying the greatest growth trend of the Internet — social media — to its business. With its inordinately valuable and trusted brand at stake in the Washington Post, the risks are clearly high. Rather than acting out of fear, Don and his Chief Digital Officer, Vijay Ravindran, are taking aggressive advantage of opportunities to engage, grow and retain their core audience. At the same time, they’re downshifting to the younger audience that just isn’t buying newspapers. The Washington Post Social Reader is the flagship example, and it’s a bold move to jump ahead of the consumer and create a new experience for people that they didn’t know they needed, all on the social Web. [Full disclosure: My company Wetpaint works with the Post.]

We will see other awesome and amazing talents emerge in digital media over the next decade. These greats-in-the-making will help build on the staggering changes that technological change has wrought.

by Ben Elowitz

As I have shared previously, our goal at Wetpaint is to be the leader in building media properties on the social Web.  That’s because I am seeing the web’s nature fundamentally change to become fully social. The Web Is Shrinking - Elowitz/Wetpaint

It’s not just theory – it’s data.

As I shared recently at AllThingsD.com, the social Web is capturing a dramatically increasing share of users’ attention – with internet users collectively increasing the amount of time they spend per month on Facebook by 69% over a one-year period – while usage for the entire rest of the Web, excluding Facebook, shrank by 9% over the same period.

Social is the most strategic medium for our industry.  And yet we haven’t established how to track our collective progress.

So, I’d like to introduce to you the first industry effort to do so.  I’ve released it this week, so that we can all compare ourselves with other top publishers and see our individual and collective progress.

Below you’ll find the “Media Industry Social Leaderboard”, a scoreboard and chart that was developed by tabulating the top 50 media publishers, based on monthly unique visitors, and then determining which were best at generating traffic from Facebook and Twitter.  Of course, I’ve included Wetpaint Entertainment on the list because we are so committed to social that we are going to make our progress public.  (And it doesn’t hurt that we are already significantly better at reaching audiences on these two key social platforms than many major media brands such as The New York Times, The Huffington Post, CNN, Fox News, TMZ and others.  My mother should finally be proud!)

This Month’s Findings

This month, we found that MTV’s website leads the pack with 14.3% of its traffic from Facebook and Twitter, indicating the shareability of their content (especially video, which is inherently more viral), and the heavily socialized audience they serve – not to mention their great execution.  In fact, MTV beat average performance by a factor of two, and were one of only four out of the top 50 that were in the double digits.  Sadly, over half of the Web’s top 50 had less than 4% of their traffic from social, making them menial performers on the medium.

 

Social Success Could Triple Your Audience’s Value

Lest you think that MTV’s 14.3% is anything to sneeze at, we dug a bit deeper to look at the true value of social.  Beyond the boost to audience attraction, we also looked at audience retention.  Measuring the visit frequency to each of the publishers (excluding the portals), we found a striking correlation to their sociability.  The performers above median in social saw an average of more than five times as many “addicts” (visitors who come 30+ times per month) as a proportion of their audience, according to data from Quantcast, compared to those below the median; and they saw a corresponding reduction in their “passers-by” (visitors who come only once) by 16 percentage points.  These patterns map overall into more than three times the visit frequency per audience member overall for these top performers.  That’s three times the value per unique.

A Leading Indicator of Long-Term Success

One thing is clear from the growth trends of the social web:  Those publishers that figure out how to capture and maintain a leadership position in social will win over the next decade.  For Wetpaint, it’s a critical strategy for us to be a leader among the media industry.  Which would make my mother very proud.

Speaking of which, in this debut month, my company Wetpaint came in #4, bested only by MTV, People, and ESPN.  Not bad for a debut… we’ll be #1 within six months.

For those interested, detailed rankings of all Top 50 are included below.

Rank Name of Publisher (Owner) URL Monthly Uniques % from Social
1 MTV mtv.com 17,101,841 14.3%
2 ESPN espn.com 33,242,207 13.7%
3 People people.com 12,671,101 13.2%
4 Wetpaint Entertainment wetpaint.com 2,532,044 12.4%
5 TMZ tmz.com 14,575,713 8.8%
6 Yahoo yahoo.com 172,269,418 8.6%
7 Patch (Aol) patch.com 10,610,327 8.6%
8 Major League Baseball mlb.com 15,552,415 7.9%
9 Aol aol.com 51,659,415 7.7%
10 Discovery Channel discovery.com 11,170,738 6.7%
11 Break Media break.com 9,166,220 6.3%
12 IGN (News Corp) ign.com 10,112,530 6.1%
13 Us Weekly usmagazine.com 10,970,162 5.9%
14 CNN cnn.com 56,595,377 5.3%
15 FOX News (News Corp) foxnews.com 26,900,038 5.0%
16 BBC News bbc.co.uk 14,863,384 4.8%
17 MSN msn.com 115,933,138 4.6%
18 Nickelodeon (MTV Networks) nick.com 10,716,354 4.6%
19 The New York Times nytimes.com 33,034,269 4.4%
20 MailOnline dailymail.co.uk 15,747,179 4.4%
21 IMDB (Amazon.com) imdb.com 39,778,499 4.4%
22 CBS Local cbslocal.com 11,039,512 4.4%
23 TIME time.com 10,024,132 4.2%
24 Cartoon Network (Turner) cartoonnetwork.com 10,794,764 4.2%
25 The Washington Post washingtonpost.com 17,818,260 4.1%
26 New York Daily News nydailynews.com 9,931,052 3.9%
27 The Guardian guardian.co.uk 10,283,648 3.8%
28 CBS News cbsnews.com 12,144,917 3.7%
29 Food Networks (Scripps) foodnetwork.com 14,324,933 3.5%
30 Allrecipes (Readers Digest) allrecipes.com 17,986,031 3.4%
31 The Huffington Post huffingtonpost.com 36,701,275 3.3%
32 TODAY / MSN (NBC/Microsoft) today.com 23,323,684 3.3%
33 Los Angeles Times (Tribune) latimes.com 18,618,265 3.2%
34 WebMD webmd.com 12,048,444 2.6%
35 The Wall Street Journal wsj.com 16,643,499 2.5%
36 Forbes forbes.com 12,356,124 2.4%
37 FOX Sports foxsports.com 18,346,185 2.2%
38 USA Today / Gannett usatoday.com 16,979,964 2.2%
39 Reuters reuters.com 12,726,776 2.2%
40 ABC News abcnews.com 19,876,129 2.1%
41 CNET (CBS Interactive) cnet.com 27,602,379 2.1%
42 Sports Illustrated (Time Inc.) si.com 9,304,012 2.1%
43 LIVESTRONG / (Demand Media) livestrong.com 9,650,128 2.0%
44 MSNBC Digital Network msnbc.com 44,198,985 1.9%
45 About.com / NY Times about.com 36,978,618 1.4%
46 Bloomberg bloomberg.com 10,592,480 1.4%
47 Mayo Clinic mayoclinic.com 10,944,436 1.1%
48 eHow (Demand Media) ehow.com 48,624,976 1.0%
49 ThePostGame thepostgame.com 12,017,913 0.9%
50 CNN Money cnnmoney.com 16,643,785 N/A

Source: Wetpaint.com analysis, comScore, Compete.com.


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