Wetpaint CEO Ben Elowitz on the Future of Digital Media
How much social traffic did the top 50 web publishers attract in March? The results are in – and it is a mixed month.
Measuring by total visits, March was the second highest month on record for social traffic to the top publishers. The number of social (Facebook + Twitter) visits to the top 50 grew by 2.9% in March to 403 million.
Volume growth aside, social’s share of traffic to the top 50 dropped slightly, dipping by 0.3% in March. That’s because even while traffic from social grew, it didn’t grow as fast as traffic from other sources.
What gives? It’s possible that each and every one of the top publishers’ social media teams was distracted last month by March Madness and solar flares. It’s also possible that Facebook’s aggressive mobile push is putting downward pressure on this measurement (the comScore data we use for benchmarking overall site traffic doesn’t include mobile traffic, alas).
The solar flares must have been particularly distracting to one publisher’s social team: Us Magazine continued its downward slide, falling out of the top 5 entirely this time after dropping last month from 3rd to 5th.
NBC is on a roll, climbing up another rung (after jumping two spots ahead in February) to #2 on the leaderboard. NFL also ran the ball for an impressive number of yards, moving from #9 to #5.
Wetpaint Entertainment continued to hold a definitive lead, outperforming the closest rival by 9.3 percentage points. We’re able to maintain this lead by constantly improving our proprietary social analytics and distribution system through rapid experimentation and a deep understanding of our audience. The amazing thing is that our social growth has not come at the expense of search traffic. Indeed, our search traffic has been rising as a result of our social success, and total traffic has recently hit record highs of 10 million uniques and more.
And we’re not done yet – social users are the most valuable users, and we want more.

All social networks are not created equal.
We tend to think of Twitter as some kind of Facebook Lite, but this puts us at risk of missing the fundamental differences that make each platform valuable in its own way for brands and publishers on the web.
Facebook is a hub-and-spoke social network. I share, you share, we all share with the common goal of promoting our identities within our social circles. The assumption is that we share our lives – at least as we’d like them to be seen – with our friends.
Twitter, on the other hand, is an interest amplification network. One person shares, one thousand people listen, and some retweet to thousands more. On Twitter, the basic assumption is that tweeters share their interests with their followers. And, with reverb built into the network, that followers do the same. In this asymmetrical network, ideas can spread farther and faster. And because Twitter’s connections are interest-based rather than relation-based, they transmit with far more “gain” on the signal.
But how far, and by how much?
Both Facebook and Twitter hold huge potential for publishers, and yet they are measured quite differently. When a publisher posts to Facebook, they have a pretty good idea of the impact: ~16% of a brand’s followers see a typical post. As with a radio tower, the signal is broadcast once and (while it may reflect here and there) largely travels by line of sight to its listeners.
The actual reach and impact of a tweet, though, remains nebulous and hard to quantify. It’s impossible to track how many of your Twitter followers actually read a tweet, and Twitter hasn’t offered any guidance on the norm. But above all, Twitter is hard to quantify because the real value of a tweet comes from the ripple effects it creates outside of the Twitter stream.
If Facebook acts like a broadcast tower, Twitter acts like a newswire: think about its “tune in” format and its penchant for news-breaking. More and more, journalists and bloggers are getting their news tips from Twitter and repackaging those stories for their own online readership. Which means that one little tweet (unlike a typical Facebook post) can travel a very long way.
Twitter Traffic x 20
In fact, the total impact of a tweet can be anywhere from 1-20x the direct traffic you see from that tweet. At Wetpaint, an average article gets 3% of its traffic directly referred from Twitter.com. If a particularly influential person happens to tweet about one of our stories, however, that number goes through the roof. When Grant Gustin (otherwise know as Sebastian on Glee) tweeted a link to the story “Grant Gustin has Superbowl Spirit,” Twitter’s traffic contribution shot up to 55%. The same thing happens outside of the Twitter stream when our followers pick up on a story and blog about it – we see up to 20x the typical Twitter traffic in ripple effects.
It’s all well and good when that happens, but as publishers how do we consistently effect that kind of outcome? Do we relentlessly pester celebrities and bloggers to follow us on Twitter, or amass a giant following in the hopes that some small percent will turn out to be influential?
How do you tweet for maximum ripple effect?
Creating tweets that achieve 20x their expected reach has little to do with follower counts and forced connections, and everything to do with the nuanced science of human influence. Tapping into the power of influencers in Twitter requires a granular, case-by-case, relationship-focused approach. Sound time-consuming and difficult? It is. But don’t despair – at Wetpaint we’ve been working on this for a while, and I’ll share a few of our hard-earned best practices:
1. Identify the influencers
Sounds easy enough: we all know that an Oprah is worth 1,000 Snookis, and a Snooki is worth 1,000 Elowitzes (sorry, mom!). But celebrity isn’t everything: even better than a Snooki just may be a Stelter. Brian Stelter doesn’t have the consumer name recognition of Snooki, but he’s far more influential in setting the agenda of the media and entertainment press. Influence is all about relevance – and when Brian tweets, the ripples can travel far.
2. Take a look around
Once you’ve identified the influencers most relevant to your audience, it may suddenly become apparent that they’re, well, a bit inaccessible. If Lady Gaga happens to be your target, then it’s time to get creative. Who are the influencers of your influencer?
Every person’s interests are shaped and guided by the people around them. You might read an article about silent retreats after your yoga teacher mentions her recent stint at St. Benedict’s, and you might start reading PandoDaily when your best friend launches a tech startup. Highly influential people are no different – they pick up interests and news from their sister, their friends, and if they’re really doing well, their driver. If Gaga retweets her barista, pursue a relationship with him. And if the barista often retweets his mom, see if she might be interested in what you have to say.
3. Court sincerely
Once you’ve made a list of all the friends you want to make, start earning their friendship. Relationships – whether digital or IRL – can’t be faked. But they can be stoked. Comment on their posts, offer them resources, and genuinely engage with them. Just like in life, once you have a friendship, you can make asks from time to time. And – again just like in the offline world – I’ve found that it’s always best to lead with giving for a while before even thinking about what I’ll get in return.
It’s not an overnight process. Earning influence is just as hard in Twitter as it is in real life. That’s because Twitter is a network of people, not a technology.
Social Science
These are just a few basics for starters. At Wetpaint we’ve gotten this down to a science: we have analytical frameworks for identifying influence surround rings and continuous A/B testing to optimize every interaction. But it all always comes back to real people building real relationships based on real interests. In the end, even with all that technology to help us, I think it’s the real personal nature of relationships that have helped us be so successful with our audience. And that’s what inspires our audience to honor us with ripple effects by passing on our content to their own friends.
10 million monthly users – Wetpaint Entertainment hit this milestone in March, only 18 months out of the gate. For a little context (and bragging rights): according to Quantcast, The Huffington Post took more than 3 years to build an audience that size.
We hit the 10 million mark in such a short time by using a super-secret and complex formula that I’ll share with you today:
1. Know deeply what our audience loves.
2. Give them the very best of it every moment of every day.
Sounds simple, right? But executing on those principles took a ton of data and a great team. And a willingness to take the risk and bet that this paradigm shift toward digital and social is not only the best way to deliver on the formula above, but also the only way forward for media.
While other publishers were looking at digital as a death sentence, we recognized it as a gift: an opportunity to know our audience far better than anyone ever before. So we took our secret formula (see above), along with our social media expertise, and built the best audience insights system on the planet.
Our proprietary distribution technology did a lot of the heavy lifting, too. Once we knew what the audience wanted, we fed those insights into a distribution system that publishes straight to the newsfeed, and voila: 10 million users and social engagement that far outshines any other major media property.
We couldn’t have done it without best-in-class content, of course. Knowing exactly what our audience wants helps our editorial team create and curate content that delights beyond audience expectations. We know what TV shows, celebrities, news events and themes resonate with our users. That content, delivered in the right way and at the right time, begets strong relationships: our 1.9 million Facebook fans see us 38 times per month (38! on average!) and look forward to Wetpaint posts in their newsfeeds.
I knew we were onto something when we started building our platform around audience insights and social distribution, but the speed at which we’ve developed our audience has been surprising even to me.
Congratulations to my team at Wetpaint on achieving every media company’s dream: outstanding content, strong engagement from a big audience, and technology that lets us do it all an order of magnitude better than anyone else.
I feel like a lot of my posts lately have been beating the social drum, so I need to clarify my perspective. Social isn’t just a fad. It isn’t just a channel, or an alternate distribution medium.
It’s actually turning into the new ether. As in “need it to breathe.” And while it’s not actually all about friends, it absolutely is about connecting to your audience.
Case in point: according to Compete, in February Wetpaint Entertainment received more traffic from Facebook than from Google. Hey, I told you it was gonna happen. It’s because social has provided a medium for data and connection that lets us deeply relate to our audience. Increasingly, other publishers are finding the same – The Guardian most recently joined the club.
The best part is that these gains in social aren’t coming at the expense of other channels – our overall traffic (including our search traffic) continues to climb. Social signals have a huge impact on search rankings, and so it makes sense that our social success would drive audience growth outside of social, too.
For the last several years, many a publisher’s greatest fear has been that they’ll lose favor with Google. Afraid that any shift in strategy from SEO to social will lead to a precipitous fall from Google grace and a drop in traffic, they monitor the search rankings daily to see if the gods are pleased.
But ironically, it turns out that an investment in social is the best SEO there is.
We’re back with the Media Industry Social Leaderboard, fresh off the presses with February results. For any newcomers, the Social Leaderboard is a ranking of the top 50 media publishers by their effectiveness at driving traffic from Facebook and Twitter.
From January to February, social traffic composition was flat, with the average staying at 7%. The gap between Facebook and Google traffic coming in to the Top 50, which had been rapidly closing since November, froze in February with Google holding on to its 30% lead for one more month.
Only four publishers in the top 10 improved their social traffic scores this month: NBC (+1.5%) took third place by trading places with Us Magazine (the biggest loser in the top 10 with -3%, now at #5). Break (+2%) and TMZ (+0.5%) leapfrogged the pack of MTV, NFL and MLB, pushing those three back to #8, 9 and 10.
But the biggest mover and shaker was Wetpaint Entertainment. Wetpaint took an even more decisive lead by adding 7% to social traffic composition since January, vaulting it into the elite group of publishers who, based on Compete data, receive more traffic from Facebook than from Google (in good company with People, Yahoo!, AOL, MSN, Fox Sports, and The Post Game).
With 29% of traffic coming from social, Wetpaint is outperforming its closest competitor by nearly 2x. Is this a data aberration? Some kind of leap year phenomenon?
Let me fill you in on the story behind the 29%: over the last two years, we took a gamble by building a new platform for social media distribution. It wasn’t a sure bet, and not many other publishers were doing it, but we had seen compelling evidence that social was the only way forward for the media industry.
We threw all of our time and talent at the problem, building up a fan base while developing and testing and refining new strategies for delivering content through social channels. We collected tons of data in real time about the preferences of our fans, and then we leveraged that insight to personalize and program their newsfeeds.
Today, the rest of the media industry is just starting to figure out the value of winning fans and courting likes. But because of our early investment, we’re already two steps ahead – we’re focusing on what to do with our 1.7 million fans. We’re delivering over 1,000 posts a week, each one targeted for the right fan with the right content at the right time.
And it’s starting to pay off.
A year and a half ago, I called an end to the decade-long obsession with search. I claimed that SEO is dead, and I set my sights on perfecting a strategy for its successor, SMO (social media optimization).
Since then we’ve succeeded wildly in driving social traffic (we are now #1 compared to all of the 50 largest web publishers); but as my friend Jack asked me recently:
Has the success in social come at the expense of search?
The answer may surprise you, as it has me. By focusing on social, we’ve achieved even more – in fact, unprecendently more, in search. Here, I’ll show you:
Could it be that by forsaking SEO in favor of social, we earn more search traffic? Seems perverse. I went looking for an explanation, and I dug up some interesting info: behind content, social signals are the most important factor in search ranking.
In this interview with Duane Forrester, Senior Product Manager for Bing’s Webmaster program and former head of SEO for MSN, he offers a glimpse of what really matters in the black box of a search engine’s algorithm – and in his words, what matters most for publishers. He lays out the three most important factors, in order:
1. Content
2. Social Media
3. Link building
This is big news for an industry that’s had years of conditioning to believe that link building and keywords are the Holy Grail of SEO. In 2010, 60% of companies spent more than $25K on SEO, while a measly 25% spent that much on social.
Looking at this gap, it’s clear that there’s about to be a whole new wave of investment in SMO. Not only is social a bigger factor than traditional SEO in search rankings today, but it’s trending up. “At some point, social could be more important than content,” predicts Bing’s Forrester. “But that assumes you have excellent content in place.”
Publishers: if you have that excellent content in place, put down your old SEO playbook and start investing in social. What does investing in social look like? It means repackaging your content for a social audience, and then delivering it to them at the right time and in the right channel. At Wetpaint, each piece of content gets a tailor-made package (we tweak the title, the timing, the images, even the content itself) depending on its destination.
The best investment in search is an investment in social. Really, that’s not perverse at all. As Bing’s Forrester explains, “When you delight someone with the best user experience possible, we pick up all those signals that person shares about their delight, and those signals influence our perception of your quality.”
Now go forth, get social, and delight in the search traffic that follows.
It’s time again to check our horses and see who’s pulling ahead in the social publishing race! And the race is definitely on – 85% of the top 50 publishers increased their social traffic this month.
No looking back now
Until I started charting the incredible growth of social and its impact on the rest of the web, I wondered if it might be more hype than actual paradigm shift. But the evidence is mounting beyond reasonable doubt, and this month’s results point to the continuation of rapid growth.
Facebook traffic to the Top 50 grew 9% in January (after growing 17% in December). Not only that, but Facebook is closing the gap with Google: The gap between how much traffic Google sends and Facebook sends to the 50 largest publishers is down to just 30%, from 55% in November. At this rate, I expect Facebook to surpass Google traffic to publishers some time this year.
Note: This analysis includes portals (e.g. Yahoo), which receive more overall traffic but a smaller proportion of Google traffic than the average non-portal publisher, who might see a larger gap.
Favorites hold their lead
At the wire it’s Wetpaint Entertainment (with 22.2% of traffic coming from social) followed by People, followed by Us Magazine. Coming on strong on the outside is CBS, pulling ahead of NBC for 4th place by drawing 14.4% of their traffic from social (up from 11.7% in December).
Wetpaint Entertainment increased its lead this month, adding 1.4% to its social traffic and widening the gap with #2 People by an additional 0.5%. People and Us Magazine increased their social traffic composition by 0.8% and 0.6%, respectively – just slightly more than the Top 50 average of 0.5%. CBS was the biggest mover by far, adding 2.7% to its social traffic.
Ladies and gentleman, place your bets. It’s still anyone’s race, but one thing is for sure: if you’re spending all of your time on SEO and SEM, you’re backing the wrong horse.
Paid vs. Earned Media is the third and final video of our Rebooting Media think-tank series. This time we asked:
What are the implications (and opportunities) of social web distribution eclipsing paid impressions?
See our thought leaders tackle this question and read conversation highlights below.
You pay for earned media, too.
There is no earned media without paid media. Social network distribution hinges on quality content at the outset, which means that investing in your content before you publish it in the social feed is crucial.
“People loved the Old Spice ads. They were great and funny and they blew up on YouTube, and there was a lot of earned media behind that. And none of it would have existed if there wasn’t a TV spot that was made and bought and placed and that was very, very good.” —Greg Clayman, The Daily
“A lot of the ‘earned’ arguments came from viral sensations wearing as a badge of honor: ‘we spent no money on traditional marketing.’ People forget the impact that print, radio, and television have on online traffic. When I was at MTV Networks, I used to joke that the channels were only there to promote the websites.” —Jason Hirschhorn, Media ReDEFined
“Now, the people who are getting paid are the people who know how to make media get earned.” —Jeff Bercovici, Forbes
Social is better than search for brand building.
Search advertising lacks the brand-building potential of TV and print. Social, on the other hand, is ideal for brand-building. Advertisers have been slow to embrace this, and we need to provide them with a compelling return story before they’ll be willing to make the leap.
“Social has enormous potential to be a brand accelerator. Through social, I think you can build a brand much more rapidly than you can through search.” —Wenda Harris Millard, Media Link
“On the advertising side, there’s an argument that social has the potential to be a vehicle for brand advertising in a way that search can’t be. But what should be the metric for brand? Brand impressions are so much further up the funnel before you have an action. I think people are trying to find some metric between CPM and CPA.” —Erick Schonfeld, TechCrunch
It’s time to find the magic metric.
Even though social has been around for a while, most people don’t know how to measure success. At Wetpaint we’ve made huge strides in this area, and other people in the room were clearly ready to make this a priority.
“There’s a tremendous amount of money being spent by the film studios specifically on television advertising, and it’s a very inefficient spend; it’s carpet bombing. Virality and targeted advertising are a much more efficient spend, but so far digital media hasn’t been able to show the lift those properties need; they don’t see the payback. They know it’s happening, but they don’t know how to quantify it.” —Jason Hirschhorn, Media ReDEFined
“We don’t have a choice. We’re either going to figure this out, or we’re going to live another ridiculous couple of decades without understanding why money is spent. Have I seen a magic metric? Not yet.” —Wenda Harris Millard, Media Link
THAT’S ALL, FOLKS
I hope you enjoyed our Rebooting Media think-tank series, and most importantly I hope it pushes you to join the conversation.
What does the next decade look like? One thing is for sure: it will look nothing like the last one.
Search vs. social, curated vs. created, owned vs. earned – these are not binary outcomes. How do we combine them in a way that meets the needs of the audience?
These are early days still, and there’s a huge opportunity for media players with the imagination, the brains and the courage to get there first.
Want more? Download a PDF of the full published collection of perspectives prepared by these participants and others at Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.
And if you missed part 1 or part 2, you can find them here:
In conjunction with our Rebooting Media series and the live think-tank hosted by Wetpaint and Digitas, we are releasing today the first in a series of videos about the social web.
In this first part, our group of ten executives and journalists chewed on the question:
“Is traditional search dead as a means of discovery?”
Watch the video for yourself, and read highlights of the conversation below.
Search is utility, social is discovery.
Search has never been about discovering something new, but rather finding what you want once you know what you want. Social, on the other hand, is all about serendipity.
“Pure discovery is in what you weren’t looking for. In search, I’m determined, I have a path. The only real discovery in search is I’m Feeling Lucky.” —Jason Hirschhorn, Media ReDEFined
“With search I think of words like utility and efficiency; it’s purposeful. With social discovery, there’s an element of surprise and then, hopefully, delight. You’re not necessarily sure what you’re looking for, because sometimes you’re not really looking for anything.” —Wenda Harris Millard, Media Link
Are social users more valuable?
This was surprisingly debated in the conversation, and the conversation reflected different experiences from different publishers; and reflects the difference in methods used to draw social traffic. For example, Forbes sees disproportionate traffic from LinkedIn to reach its largely male and older-skewing audience; while Wetpaint Entertainment uses the Facebook newsfeed to repeatedly reengage the site’s 1.4 million fans, almost all young women.
“We see 2-3x the value with social visitors – 50% higher duration, 25% more frequency, and we’re seeing virality come [on top] of that.” —Ben Elowitz, Wetpaint
“When you talk about running a business, the person who comes in through search is a very valuable person – more so than the person who’s coming in through social. Social users are fleeting users, not necessarily loyal to the site.” —Lewis DVorkin, Forbes Media
“We see equal engagement from search and social, and about equal percentages of referral traffic.” —Erick Schonfeld, TechCrunch
Social is hard for marketers.
While marketers recognize the promise of social marketing, the methods and measurements are far from sophisticated for most. We need to get better at understanding and tapping into unexpected virality and the seemingly random discovery paths in social.
“I don’t think we really know how to use social as a distribution method, other than putting “Like” buttons everywhere.” —Erick Schonfeld, TechCrunch
“In search, purchase intent is right there. But for advertisers in the social world, it’s harder to know exactly where that intersection is. You want to be part of that conversation, but you risk interrupting it.” —Greg Clayman, The Daily
“Virality happens, but it happens without warning. By the time you can get to Madison Avenue to sell it, it’s gone.” —Jason Hirschhorn, Media ReDEFined
Ultimately, social and search will converge.
As Google works to see if it can decipher the social code, and Facebook moves closer to taking over the entire digital world, we are headed toward a merger of search and social.
“If you look a few years out and you say where’s social and where’s search, they’re in the same place. There’s a merger between the two. These two spaces are on a collision course, and we need to start looking three years out to see how that collision course takes shape.” —Ben Elowitz, Wetpaint
“The intersection between social and search is growing. I go to Google and search “bunk beds” and I get a set of useless results. I go to Pinterest and you wouldn’t believe what I find. That really is the intersection of social and search: it’s utility-driven, it’s purpose-driven and yet the discovery is that much richer, that much more useful.” —Jeff Berman, NFL Digital
The next two parts of this three-part series:
For more perspective, download a PDF of the full publication Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.
Regular readers know that it’s only a matter of months before social becomes the most valuable source of traffic for most publishers.
And this month’s Media Industry Social Leaderboard is sure to make you even more convinced. So let me get straight to it: From November to December, the amount of traffic the top 50* publishers received from social grew by a whopping 17%.
And, when it comes to who is best benefiting from social, let’s just say I’m personally very proud to announce the new leader, which, for the sake of modesty, I’ll do lower down the page.
As noted previously, the major changes Facebook announced at September’s f8 event caused a significant blunt in traffic to publishers last fall. Well, the hangover has ended. With 385 million aggregate visits to the top 50 publishers in December, volumes have recovered to pre-f8 levels.
The average top 50 publisher is now receiving almost 8 million visits per month from Facebook and Twitter. And in December, 48 of the top 50 publishers saw increased social traffic levels over November, with these publishers averaging a 2.1 percentage point increase in their composition.
At the same time, Twitter has grown in its contribution to the traffic pie, increasing over the course of the fall months from 2.2% of total in September to 3.4% in December.

As you know from my prior columns, one of the reasons I’ve published this leaderboard is because we set a goal for Wetpaint to reach #1. What I didn’t tell you previously is the timing: our goal was to do so by the end of 2011. And there is nothing we get more proud of here at Wetpaint than meeting our goals.
In December, Wetpaint Entertainment social traffic benchmarked at 20.8% of visits, even as our total traffic was at near-record levels. (Our internal numbers show an even higher contribution.) This outranks all of the top 50 web publishers, besting the number-two by nearly five points.
Allow me a moment to kvell: I could not be more proud of the entire Wetpaint team who have achieved this goal. Beyond the amazing results, they have built an amazing social distribution system and playbook that leads the industry. With the virtuous cycle the team has built, we are getting significantly better every month.
How did the other leaders from prior months do? People, the previous leader, improved with 16.1% of traffic from social, increasing by 3.9 percentage points even as it fell to the #2 position.
In third place now, US Magazine vaulted all the way up from position 19, improving from an average 3.9% to achieve 14.3% of their traffic from social. If you have any idea what drove their results, let me know.
As for places #4 and #5, CBS and NBC traded their two slots, with NBC gaining by 4.2 percentage points while CBS gained by only 3.5 points. And all of that activity pushed MTV down to #6, gaining far slower than the others. All the details are, as usual, in the table below.
Publishers are clearly benefiting as Facebook delivers on its potential to be not just a network but a social operating system for the internet. In December, we saw the best increases go to the most social publishers (top 10 on this leaderboard), who saw a 4.5 percentage point increase in social traffic composition month to month.
Innovation is attracting large audiences on Facebook. In particular, the four publishers driving traffic via social readers have increased their share of Facebook traffic to the Top 50 web publishers by 70%. Yahoo (not included in the 4 just described) has also begun experimenting with social reader tools across select sites and is seeing strong early results as well. In just two months, Yahoo! News US has reportedly seen a 300% increase in Facebook traffic, driven by 1 million “reads” shared daily.
We are clearly in the land grab phase on the social web. Those who are investing early in social as a top objective stand to gain the most – while others may be left behind.
But as my discussions with other media companies show, social is not a simple check-box initiative. It requires complete buy-in from the CEO to transform the organization with social distribution technology and expertise.
It can be done, as our own experience at Wetpaint as shown: In less than two years, we have launched a new property and already outranked all of the top 50 publishers on the web. Now we want more. And I hope you do too.
Details for all 50 top publishers:
|
MONTHLY RANKINGS |
PUBLISHER |
|
|
||||
|
Dec |
Nov |
Oct |
Name of Publisher (Owner) |
URL |
Monthly Uniques |
% from Social |
Change |
|
1 |
2 |
3 |
Wetpaint Entertainment |
WETPAINT.COM |
3,076,202 |
20.8% |
10.1% |
|
2 |
1 |
1 |
People |
PEOPLE.COM |
13,203,882 |
16.1% |
3.9% |
|
3 |
21 |
19 |
US Weekly |
USMAGAZINE.COM |
9,339,801 |
14.3% |
10.4% |
|
4 |
5 |
5 |
NBC Universal |
NBC.COM |
6,972,501 |
12.3% |
4.2% |
|
5 |
4 |
4 |
CBS |
CBS.COM |
7,367,642 |
11.7% |
3.5% |
|
6 |
3 |
2 |
MTV |
MTV.COM |
9,920,294 |
10.7% |
2.1% |
|
7 |
6 |
7 |
TMZ |
TMZ.COM |
13,208,667 |
9.6% |
2.2% |
|
8 |
13 |
16 |
Break Media |
BREAK.COM |
8,603,649 |
9.4% |
4.2% |
|
9 |
8 |
6 |
Major League Baseball |
MLB.COM |
6,653,288 |
9.3% |
2.3% |
|
10 |
9 |
11 |
Patch (Aol) |
PATCH.COM |
9,917,563 |
8.7% |
2.2% |
|
11 |
14 |
12 |
Discovery Channel |
DISCOVERY.COM |
12,769,340 |
8.5% |
3.4% |
|
12 |
7 |
9 |
Yahoo! |
YAHOO.COM |
167,257,797 |
7.6% |
0.5% |
|
13 |
10 |
10 |
Aol |
AOL.COM |
50,093,953 |
7.4% |
1.1% |
|
14 |
15 |
15 |
CNN |
CNN.COM |
45,650,334 |
7.1% |
2.1% |
|
15 |
12 |
13 |
IGN (News Corp) |
IGN.COM |
10,263,828 |
6.7% |
1.4% |
|
16 |
23 |
25 |
MailOnline |
DAILYMAIL.CO.UK |
16,656,093 |
6.4% |
2.8% |
|
17 |
25 |
22 |
TIME |
TIME.COM |
9,256,468 |
6.3% |
2.7% |
|
18 |
16 |
14 |
TV Guide |
TVGUIDE.COM |
7,546,763 |
6.0% |
1.3% |
|
19 |
11 |
8 |
The Guardian |
GUARDIAN.CO.UK |
8,495,543 |
6.0% |
0.0% |
|
20 |
19 |
18 |
FOX News (News Corp) |
FOXNEWS.COM |
24,444,163 |
5.9% |
1.3% |
|
21 |
29 |
23 |
CBS News |
CBSNEWS.COM |
12,064,240 |
5.7% |
2.6% |
|
22 |
24 |
26 |
CBS Local |
CBSLOCAL.COM |
9,574,168 |
5.7% |
2.1% |
|
23 |
20 |
27 |
The Washington Post |
WASHINGTONPOST.COM |
18,671,039 |
5.5% |
1.4% |
|
24 |
18 |
17 |
MSN |
MSN.COM |
111,990,691 |
5.3% |
0.7% |
|
25 |
30 |
32 |
New York Daily News |
NYDAILYNEWS.COM |
9,585,617 |
5.1% |
2.1% |
|
26 |
17 |
20 |
BBC News |
BBC.CO.UK |
14,480,236 |
5.1% |
0.4% |
|
27 |
41 |
36 |
FORBES |
FORBES.COM |
12,232,929 |
5.0% |
3.0% |
|
28 |
26 |
31 |
The Huffington Post (Aol) |
HUFFINGTONPOST.COM |
36,196,784 |
5.0% |
1.6% |
|
29 |
31 |
28 |
New York Post |
NYPOST.COM |
8,085,270 |
4.8% |
1.8% |
|
30 |
37 |
41 |
Bleacher Report |
BLEACHERREPORT.COM |
9,178,003 |
4.7% |
2.4% |
|
31 |
22 |
21 |
New York Times |
NYTIMES.COM |
30,575,839 |
4.6% |
0.8% |
|
32 |
34 |
29 |
Cartoon Network (Turner) |
CARTOONNETWORK.COM |
10,600,092 |
4.5% |
1.7% |
|
33 |
33 |
30 |
Nickelodeon (MTV Networks) |
NICK.COM |
9,752,977 |
4.5% |
1.5% |
|
34 |
27 |
24 |
IMDB (Amazon.com) |
IMDB.COM |
38,220,405 |
4.3% |
0.9% |
|
35 |
32 |
35 |
Los Angeles Times (Tribune) |
LATIMES.COM |
17,080,642 |
4.2% |
1.2% |
|
36 |
40 |
39 |
FOX Sports (News Corp) |
FOXSPORTS.COM |
22,401,409 |
4.2% |
2.0% |
|
37 |
36 |
34 |
Food Network (Scripps) |
FOODNETWORK.COM |
19,614,352 |
3.8% |
1.2% |
|
38 |
39 |
37 |
Wall Street Journal (News Corp) |
WSJ.COM |
12,521,560 |
3.6% |
1.4% |
|
39 |
35 |
33 |
Allrecipes (Readers Digest) |
ALLRECIPES.COM |
25,288,480 |
3.5% |
0.8% |
|
40 |
45 |
42 |
CNET (CBS Interactive) |
CNET.COM |
28,948,963 |
3.1% |
1.5% |
|
41 |
38 |
38 |
Reuters |
REUTERS.COM |
11,692,493 |
3.0% |
0.7% |
|
42 |
44 |
45 |
CNBC |
CNBC.COM |
5,674,719 |
3.0% |
1.3% |
|
43 |
43 |
44 |
Bloomberg |
BLOOMBERG.COM |
7,515,601 |
2.8% |
1.1% |
|
44 |
46 |
47 |
Businessweek (Bloomberg) |
BUSINESSWEEK.COM |
7,964,543 |
2.6% |
1.0% |
|
45 |
28 |
43 |
USA Today (Gannet) |
USATODAY.COM |
17,222,775 |
2.6% |
-0.6% |
|
46 |
42 |
40 |
WebMD |
WEBMD.COM |
11,901,016 |
2.5% |
0.5% |
|
47 |
47 |
46 |
LIVESTRONG (Demand Media) |
LIVESTRONG.COM |
9,464,669 |
1.8% |
0.5% |
|
48 |
48 |
48 |
About.com (NY Times) |
ABOUT.COM |
58,684,194 |
1.6% |
0.6% |
|
49 |
50 |
50 |
eHow (Demand Media) |
EHOW.COM |
45,015,977 |
1.5% |
0.8% |
|
50 |
51 |
51 |
ThePostGame (Yahoo) |
THEPOSTGAME.COM |
18,321,581 |
1.4% |
0.8% |
|
51 |
49 |
49 |
Mayo Clinic |
MAYOCLINIC.COM |
9,198,317 |
1.4% |
0.5% |
* The publishers included in the Media Industry Social Leaderboard are the top 50, as ranked by comScore-reported uniques, whose primary business is web publishing. Once they are selected, data from Compete.com is used to estimate the amount of traffic referred to each by Facebook and Twitter.
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