Archive for the ‘Publishing platforms’ Category

by Ben Elowitz

This is the concluding entry in a series of 10 posts about the future of the media industry contained in a report titled: Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.

I feel blessed and inspired to be connected to the incredible thought leaders whose insights and perspectives you’ve just read. And I’m hoping you feel challenged, provoked, and, ultimately, inspired to think about how to make the social Web a media success.

Over the last year on my blog, Digital Quarters, and in my newsletter, I have shared stories, analysis and prescriptions – all in the name of driving this new digital era forward.

To me, one essential principle lies deep at the heart of the rewired Internet.  It is a simple and basic concept, but one that guides all the promise of the social Web: We must truly understand and delight our audiences.

The social Web fully enables this concept in a way that did not exist over the last decade, much less the century before it.

Indeed, never before has the data existed and been accessible – in real time, with precision and detail, and to every publisher – to know the audience and serve it well.

But today it is.

Between usage analytics, audience data, social graphs, global Twitter feeds, and direct interactive feedback, we can receive millions of signals each minute that tell us how well we are serving and, more prescriptively, what we can do to better serve our audiences.

For the publishing industry, this provides an unprecedented opportunity for content experiences to earn deep relationships with audiences who are now connected like never before. We can know our audiences, create for them, and reach them – and, in the process, make our own brands stronger and more meaningful than ever.

And therein lies a path that will lead to the re- establishment of our industry’s success.

The future prosperity of digital media will certainly have some things in common with its past legacy; but a host of other things will undergo massive change.

What’s clear to me, though, is that the revolution in our data and connectivity-rich environment will help us create content and experiences that honor the best that our industry has ever put forth, while pushing even further.

I can’t wait to work side by side with the industry’s greatest thought leaders and practitioners to make it happen.

And, as we look forward, if you’d like to join the discussion, I’d welcome your thoughts, opinions, views, comments and criticisms.

Please send them to me at ben@wetpaint.com.

And, if you’re interested in participating in a future edition of this thought leadership gallery, by offering your take on things, I’d love to hear from you as well.

Thanks for reading.

Ben Elowitz


To download the complete report, please click here:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web

by Anthony Soohoo

This piece from Anthony Soohoo is the ninth in a series of 10 posts about the future of the media industry contained in a report titled: Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.

Q:  How does the rise of Facebook change the relationship between media and its audience?

What’s changed is how we reach users at a global level. In essence, Facebook has created an important layer of intelligent recommendations adding more relevancy than previously possible in a broadcast world.  In the process, this will change how the media companies deliver their content. The downside, however, is that there’s less discovery of content going on. But the media has a real chance to build deeper relationships with users now; consumers just aren’t anonymous anymore. They – and we – know what they like, and don’t like.

So, the delicate balance is this: Facebook makes discovery more challenging, but it affords us an opportunity for infinitely more personalization. And that means engagement is a lot more effective.

 

Q: What’s changed fundamentally about media with the rise of the social Web, and what do publishers need to do to adapt?

When they put content together, publishers have to determine who their influencers are. Who do they resonate most with? Then, they have to get to that group first, and build a groundswell with that audience. In the past, publishing was a broadcast type of model. Think of a bullhorn. It’s completely changed with the social Web. The key, as I’ve said, is to reach the influencers first, and then have them add to the story. That’s how you really engage an audience.

 

Q: We’ve gone from SEO (Search Engine Optimization) to SMO (Social Media Optimization), so how will search change as the Web becomes more social?

That’s a great question. First of all, I’d say we’re going to see more personalized search results. In other words, search based upon what someone’s interests are, and what a person’s friends like. It’s putting a personalized interest graph on top of search results. And the efficiency and effectiveness will improve; instead of getting 43 million results, many of which are irrelevant, you’ll get the top 20, and they’ll be of considerable interest. So, in this way, the social Web will add more meaning. The people-powered-Web will be the big driver of innovation over the next five to 10 years.

 

Q:  How do you build a brand in publishing when, with greater frequency, media is distributed through social channels?

It seems to me that you have to recruit and engage your influencers. And you have to make certain you’re hitting the right audience. Finally, you have to layer content down in a very social and personalized manner. Blasting content out like a billboard takes the uniqueness out of the social Web. I believe the stories of the future will actually integrate tidbits from influencers, and they’ll also be more rhetorical and open-ended. Publishing will become more Wiki- like. People can – and will – contribute. And those contributions will matter as much as the stories themselves. The role of the editor will be to get the fire started by determining which channels and influencers are necessary to ignite the story. The editor will bring up worthy discussions across the Web and highlight them, too. This is how the stages of conversation will unfold. At first, it will be unfiltered and like the Wild West, however. Then it will get reined in, and most stories will go through a filtered version via friends or an editor. This filtering process will allow content to live a longer and richer life on the Web.

 

Q: What are the critical success factors in publishing as we look to 2020; and who will be the winners?

Facebook could be a winner. And the two guys in the garage that we don’t know about will be winners. There are five to 10 big winners that we don’t know about yet. But the critical success factors are clear: know your audience; serve users and delight them; and then go beyond this. Content will change over time; and these changes will change because of the social Web’s profound influence. What we’re really talking about here is content plus one.

 

Anthony Soohoo is the Co-Founder & CEO of Rumpus and former SVP & GM of Entertainment at CBS Interactive. Soohoo joined CBS in 2007, when it acquired Dotspotter, a fast-growing community-powered entertainment property where he served as Co-founder & CEO. Prior to Dotspotter, Soohoo was Vice President at Yahoo!, where he was responsible for the strategy, management, development and financial performance of various business units.

To download the complete report, please click here:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web

by Theresia Gouw Ranzetta

This piece from Theresia Gouw Ranzetta is the eighth in a series of 10 posts about the future of the media industry contained in a report titled: Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.

Q:  How does the rise of Facebook change the relationship between media and its audience?

Facebook becomes the jumping off point for many browsers who count on their friends to curate interesting media for them. How news gets “found” becomes less about searching Google news, and more about checking your Facebook newsfeed.

 

Q: What’s changed fundamentally about media with the rise of the social Web, and what do publishers need to do to adapt?

Publishers need to understand the “start” point for their digital users. It used to be a portal, so you cut a deal with one of them. Then, it was a search box, so you SEO-optimized your content. Now, it is a social media platform (Facebook or Twitter), and publishers need to understand how to optimize their content for maximum social sharing and social media amplifications. Don’t get me wrong: in each phase, it has always been about great content. But that is just the necessary first building block. Then you need to figure out the distribution to get maximum audience engagement.

 

Q: We’ve gone from SEO (Search Engine Optimization) to SMO (Social Media Optimization), so how will search change as the Web becomes more social?

Reference or informational search will remain relatively unchanged (for example, “What is the capital of Iowa?”). But “search,” where you are looking for guidance or information that has a subjective or has a taste aspect to it, will be completely transformed by social. Instead of typing in “Best sushi restaurant in Palo Alto,” you will ask your friends, or go to a site with a like-minded social groups (foodies, vegans, etc.).

I think we are still in the early days of SMO. Many large publishers have not yet even thought about this, nor are they aware that they should be. As with SEO, they will need to upgrade their content management / publishing systems and processes. Many will turn to start ups, like Wetpaint, to help with this.

But SMO can be even more. Unlike in the search world, where a supposed Chinese wall existed between SEO and SEM, leading platforms can now encourage their advertisers to also invest in SMO as well. So a very savvy company can leverage and get synergies from their investments and learnings from SMO + SMM (Social Media Marketing) in a collaborative way.

As with the early days of the portal and search platform eras, the ecommerce players were the first to experiment, invest and learn about the power of the new platforms to get broader distribution / audience. This is understandable, given that their business models more easily lend themselves to direct data gathering and learning for marketing spend. Once again, in social, I see the ecommerce players blazing a trail for publishers: the GroupOns, Zyngas, ModCloths, and Birchboxes of the world are good places to start.

In parallel to social, I think we are also seeing a platform shift – from PCs to mobile Internet devices. So, clearly the rise of iOS and Android are important platforms for publishers to understand and adapt to, both in terms of the technology and the distribution nuances.

 

Q:  How do you build a brand in publishing when, with greater frequency, media is distributed through social channels?

You need to learn how to build your brand following on social media and realize that, no matter how strong your brand is in other channels, this is a whole other effort. It is not just an add-on and thinking of how to get “Likes.” The “packaging” of your content needs to be social media optimized for sharing and tie to your social media presence on your Facebook page and Twitter. It is an interconnected ecosystem that cannot be thought of as separate pieces.

 

Q: What are the critical success factors in publishing as we look to 2020; and who will be the winners?

Understand that we are in a new era. Social media distribution, branding and user-driven pull – not your push distribution – will win. Also, understand how your mobile approach is intertwined with what you need to do. The winners today will be the companies that have created these new social and mobile platforms (Facebook, Twitter, Apple iOS and Google Android), as well as the market leaders who have successfully built the first leading companies on top of these platforms (Zynga, Groupon etc.). As for the winners in 2020: I’m in the business of funding start up innovation, so I would say it’s the companies that may not even yet be formed – but they will be, in the next year or two.

 

Theresia Gouw Ranzetta joined Accel Partners in 1999. She is an investment Partner in Accel’s Palo Alto & New York offices and focuses on companies in the social commerce, vertical media, consumer mobile applications and privacy/security markets.

To download the complete report, please click here:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web

by Ben Elowitz

This article was published as a guest post at PaidContent, and is republished here for Digital Quarters readers.

Last year, it became clear that Facebook is well on its way to becoming a social operating system underlying our digital lives.  And the enhanced Facebook Open Graph makes that vision a reality.

My company, Wetpaint, was fortunate to participate in a beta phase with Facebook and be a launch partner with The Washington Post (NYSE: WPO) social reader project; in the process, we have gotten a glimpse of how to build media for a fully social web, and it’s had a dramatic impact on our business.

We have learned that without question, there is a ton to be gained in audience acquisition, branding, and retention by integrating into the Open Graph.  And, based on the few months’ head start we’ve had, I wanted to provide a brief guide to what has worked, and explain how to take full advantage of the Open Graph.

Here, then, are the four most important elements:

1. Determine what’s inherently social in what you do for your audience – This is the most important part, and it’s not easy, because people don’t want to share everything they read online.  Rather, they share the things that are helpful to others, or contribute to their public identity.

Don’t fight it.  Work with it, instead.  Provide content your audiences will use to define themselves and enhance their reputations as a curator.  With your content, what specifically can they share, and what can it say about them?

I especially like this item from a cousin who recently posted this recipe for fried Coke (what? oh yes!).  If you think it means she’s a southern gourmet, you’d be right:  she makes the best fried chicken I’ve ever had. And posting recipes like this makes sure we all know about her decadent down-home style.

People also respond to things that make them smile.  Who wouldn’t like a picture of a cat laughing with a dinosaur?  Sharing it makes a statement about what gems you can find, what loops you’re in, what makes you chuckle, and that you like brightening your friends’ day.

We are thumbs-up with things that back our opinions, or show we are in the know about things that are important to how we want to be perceived. For a news site, this means interests and causes that we want to support; and, for a sports site, it’s our tribal badging and admiration of teams and players.

And for games, movies, and events, it’s more about sharing something special together. Whether a concert or a conference, convening with others turns content into an experience. The phenomenon of Social TV that we see at Wetpaint, and throughout all TV programming, is proof positive that media events are made to be shared.

2. Start thinking in verbs – other than “Like” – To date, publishers have been focused on the page.  Now it’s time to think about the interaction – not just with the page, but with the content.  Think in verbs.  Facebook has suggested a handful of obvious ones.  Your audience should “watch” videos; “listen to” songs; and “read” articles.  But beyond that, you can also add your own creative alternatives:  “view” photo galleries, “lust for” celebrities, “OMG” scenes on TV, “vote for” reality TV contestants.  All of these help define a relationship between your audience and what they love.  And as a publisher, you get to take credit for that introduction and its viral distribution among a user’s circle.

3. Own objects, not just content – In the now-more-open Open Graph world, the objects of our affections are no longer just dumb pages.  Rather, you can define objects in the real-world – with the promise of improving Facebook’s and your audience’s connections to them, and to you.  As with the examples above, the limit of what you can define is constrained only by your creativity; however, the focus should be on objects that are natural social extensions of your consumer experience.  Don’t try to socialize objects that no one wants to share – I don’t want to circulate that I “zero balanced” my “bank account.”

4. Live in Facebook’s world – It’s not really just Zuckerberg’s world … it’s your users’ world, too.  500 million Facebook users are logging in every day, and spend seven hours per month (on average) on Facebook.  That’s why it’s important to create an experience that blends with the social world; and that experience needs to be connected, and in real-time. The more you integrate into Facebook’s clearing house, the more you can benefit from seamless transitions, access to connected user data, and user expectations of implicit sharing.  Facebook Connect is critical; as is earning the Likes to be in a relationship with your audience.  When you do that, you can program your users’ news feeds.  At Wetpaint, we average 30 impressions per fan per month.  I’ve never had that much communication in any of my relationships with friends or family (much to my mother’s dismay, which she reminds me of all the time), yet our consumers have it with us all year long.  And, beyond the news feed, creating a Facebook canvas app (we’re working on a new one now) means you can truly be everywhere your audience wants you to be – both in Facebook and on the Web.

With the new Open Graph features, a short-term way of thinking about the opportunity is that you are integrating into Facebook’s technical architecture.  But a far more meaningful – and, ultimately, more beneficial – way of thinking about it for both your users and your business is that you are integrating into your users’ lives.

I overheard someone at last year’s F8 event say that Facebook is no longer “Face”-book, it’s really becoming “Life”-book.  It’s that level of integration with real life that can create the most powerful opportunities for the next era of the Web.

by Wenda Harris Millard

This piece from Wenda Harris Millard is the seventh in a series of 10 posts about the future of the media industry contained in a report titled:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.

Q:  How does the rise of Facebook change the relationship between media and its audience?

I’m not sure that Facebook is media. But Facebook has changed everything. I see it as a platform for connection. The challenge for marketers is in connecting effectively with audiences in these kinds of social environments. I think advertising by its very nature is often intrusive, but it tends currently to cross the line and be disruptive in social media. It may violate trust with audiences. So, how are advertisers going to reach people most efficiently and effectively in a social environment? Advertising or commercial messaging is going to be like nothing we know today.

 

Q: What’s changed fundamentally about media with the rise of the social Web, and what do publishers need to do to adapt?

If you’re a brand marketer, you can no longer interrupt the discussion. You have to be part of the discussion. This has a lot of implications. And you have to ask yourself whether people come to you, or do you look at social platforms as a way to build and distribute content and your own messaging. The economic models have changed. In the past, in a siloed world, you had your own site, and you went about the business of attracting an audience and monetizing that site. That’s a simple formula, and it’s not nearly as relevant anymore. We are now living in a world where you have to find your audience where it aggregates. You have to find the audience on someone else’s platform, and then figure out how to make money. This throws everything we’ve known in traditional marketing on its head.

 

Q: We’ve gone from SEO (Search Engine Optimization) to SMO (Social Media Optimization), so how will search change as the Web becomes more social?

We’ve learned so much about the value of recommendations from friends and colleagues. Now, with the continued advance of the Web as a social environment, what’s going to happen is that, instead of typing certain things into the search box, there will be an increasing tendency to go to your social circle for input.  If you need an address, you’ll go to the search engine; but if you need a great back doctor, you’ll ask friends or colleagues. This is the personal recommendation engine, and it will be part of our lives. Think of it as personal optimizations  – how do you get the best information from your social circle?

 

Q:  How do you build a brand in publishing when, with greater frequency, media is distributed through social channels?

Publishers are worried about the abundance of user-generated content in the whole social media experience right now. The plethora of choice for consumers is almost overwhelming. Yet I believe that consumers are still looking for a trustmark. Of course, you’ll be able to read your friends’ recommendations, and you’ll share on whatever platform you’re using, but when you’re looking for information, I still believe that brands represent a level of trust or a Good Housekeeping Seal of Approval. That said, when you’re growing a brand today, you can no longer just build it and expect that they will come. Building and enhancing your brand as a .com online is only one element in all this. You need to be where people are – that’s the Facebook phenomenon.

 

Q: What are the critical success factors in publishing as we look to 2020; and who will be the winners?

New media, digital media and social media – it will all be called media. And the winners will be those who find a way not to define themselves by their tried-and-true or historical practices, or by their distribution channels. You can’t define yourself as a magazine publisher; you’re a content provider. You need to step out of the channel you live in and understand how each of the pieces fits together. How does TV fit with Facebook, for example? Or search engines or print with anything in social media? The key is knowing where commerce is – online and offline. What is the relationship among all media channels? The winners will grasp these interrelationships.

 

Wenda Harris Millard is President & COO of Media Link LLC, a leading advisory firm that provides critical counsel to clients in the marketing, media, entertainment, and technology industries. Prior to this, Millard was Co-Chief Executive Officer and President of Media, Martha Stewart Living Omnimedia, and Chief Sales Officer of Yahoo. She has also served as the Chief Internet Officer at Ziff Davis Media, President at Ziff Davis Internet, and Executive Vice President at DoubleClick.

To download the complete report, please click here:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web

by Jason Hirschhorn

This piece from Jason Hirschhorn is the sixth in a series of 10 posts about the future of the media industry contained in a report titled: Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.

Q:  How does the rise of Facebook change the relationship between media and its audience?

Facebook is obviously a transformative platform.  It’s a disruption in the distribution of content. The social endorsement in “sharing” or “liking” a piece of content on a platform like Facebook is almost as important as the content itself. And while they like the digital “word of mouth” I think this scares the film, TV and publishing industries. Why? Because, unlike in the past, they are not controlling the distribution and conversation the way they used to. The “feed” is taking on search, too, because users are ultimately using it as a discovery platform. You may go to Google to find what you already knew you wanted but now the content streams deliver you content you had no idea you wanted, and with an endorsement from someone you know or follow. This social endorsement changes the way you discover and consume content.

 

Q: What’s changed fundamentally about media with the rise of the social Web, and what do publishers need to do to adapt?

It’s clear that media is becoming unbundled. It’s also multi-platform as the access points are fragmented. It’s real time or archived and it’s on-demand. This sets the trend for what and where people consume. In today’s new and evolving social  environment, the packaging and distribution are under less control. Again, the social endorsement of content is just as important as who created the content or what it’s about. Our interests widen on Facebook or Twitter, and we’re able to see the tastes and interests of people we respect or know. We used to turn to TV, radio and print for all our cues, but we’re now going to Facebook or Twitter or Tumblr… to our friends and the people we follow. Traditional media seems slightly hindered because it holds on to its traditional standards. Whether it is scheduling in television, definitions of journalism, and creators as curators or controlling the entirety of your brand. But things are slowly changing. New forms of media bring spontaneity, serendipity and personalization. There are always surprises within your content stream. I realize now I only know a little about the things I like. The fun is in discovering those things you never knew you’d be interested in. That’s what I like about it.

 

Q: We’ve gone from SEO (Search Engine Optimization) to SMO (Social Media Optimization), so how will search change as the Web becomes more social?

My personal view is that search is falling down. People are now using it more for navigation than discovery. “Where is the thing that I want?” Maybe search isn’t about real discovery. I use search less today because of Facebook and Twitter, which are becoming significant parts of my content decision-making process. I’m interested in seeing the news that my friends are reading today. That would keep me on Facebook even longer, and add to the discovery element. Despite its huge impact, though, Facebook and Twitter haven’t even begun to really take advantage of content discovery experiences. They will. It’s going to be a great evolution to watch and positively disruptive.

Those changes will be a perfect match between gathering or discovery technologies and a truly human filter. Ultimately, content discovery needs to have human layers. Without them, it has no “life”, no context. This is where Google has fallen down as a product company. Algorithms vs. Humans. When it comes to content, which always has an emotional bent, humans always beat the computer. Clearly Google+ is trying to address some of that, but they have a ways to go.

Going forward, I believe we need to see more influencer targeting and noise-level targeting. How do you help people or companies find those who are moving the social media mountain? How do you find these influencers and deliver highly relevant and personalized content without infringing on their privacy or conversation and then let them run with it? That will be a key part of the new optimization. These changes will revolutionize advertising and make media spends way more efficient. What it takes to get “lift” will be far different and mediums like television will need to fall in line and adapt.

 

Q:  How do you build a brand in publishing when, with greater frequency, media is distributed through social channels?

From my point of view, curation is the next great layer of value on the Internet. In a world where everything is available, Curating content helps users sift through everything. Trusted sources are coming back. The New York Times is curating when it decides what it will cover. But they don’t seem to curate other’s work. And yet the journalists at The Times pass around links and stories on Twitter that are written by other sources. Those journalists are trusted sources and now curators. I think publications should be establishing relationships with curators; and then they can re-package and re- bundle content into new and important layers. You can build big and important brands with curation today. I know I’m going to try.

 

Q: What are the critical success factors in publishing as we look to 2020; and who will be the winners?

There are five areas I’d touch on here:

1.  Curation, for the reasons I’ve explained above.

2.  Form factors. Content should be allowed to shape shift.

3.  How you distribute. Your site to RSS to email to Flipboard to Twitter and beyond.

4.  How you allow social media inside your content.

5.  How smart your paywall strategy is. The New York Times has done the best in this area.
Allowing for social media linkages while continuing to build a pay-model.

 

Jason Hirschhorn, a media and technology entrepreneur, is the curator of Media ReDEFined (@MediaReDEF), a free daily news feed covering the changing world of media, communications, entertainment, marketing and technology. The former President of MySpace, Hirschhorn has also served as President of Sling Media, Chief Digital Officer at MTV Networks and is on the Board of Directors of MGM Studios.

To download the complete report, please click here:  “Rebooting Media: The Digital Publishing Revolution for a Fully Social Web”

by Ben Elowitz

This is the first in a series of 10 posts about the future of the media industry contained in a report titled:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web.


As Don Graham, Chairman and CEO of The Washington Post Company, recently remarked on-stage at a conference of leading CEO’s, the media industry as we have known it for the last 100 years is collapsing. The basic structure of our industry – content creation, packaging, distribution, and monetization – have shifted so substantially that the rug has literally been pulled out from underneath media’s business model.

A new model must be created – and the DNA of the medium itself has been irreversibly altered so that it is now innately social.

And yet, in the midst of this upheaval, I’ve found that even the brightest and most well informed strategies are able to tap only part of media’s new nature and capture just a slice of the industry’s remaking.

At a time like this, to get a complete picture of the territory ahead, there is nothing wiser than integrating perspective from the best and brightest people in the publishing world.  And, over the course of the last several years, I’ve been immensely grateful for those leaders’ intelligence and vision.

So, I thought it was only fitting to help create the ultimate social network – one that will enable our industry to share the smartest ideas as it remakes digital media.

That’s what this compendium is all about.

Rebooting Media: The Digital Publishing Revolution for a Fully Social Web brings together eight of the most thoughtful influencers and offers their most cogent assessment of the new online relationship-building that is helping to connect people in absolutely unprecedented ways.

Together, these eight contributors reinforce three dominant themes:

Building a media brand on the new social Web means that publishers have to meet consumers where, when and how they want. It’s all about user-driven pull, and publishers need to offer experiences and establish relationships that may not be on their own terms.

Facebook is a transformative platform driving new personalization and connectivity across the upstart social Web. We are still waiting to see all of what Facebook ultimately becomes, but we know it represents a once-in-a-generation paradigm shift.

Any way you look at it, search (as we know it) is declining. The open sharing of social networks, and the power of social endorsement, are seriously altering what consumers look for on the Web, and how we’re engaging with content. The search algorithm has lost out – big time – to the will of the audience.

But the most powerful insights are in the essays that follow from each of our eight contributors.

Jeff Berman (@bermanjeff), General Manager of Digital Media for the NFL and Buddy Media board member, talks about how Facebook is eclipsing search.

Greg Clayman (@Clayman), Publisher of The Daily, explains why Facebook is taking sharing to a whole new level.

Jason Hirschhorn (@JasonHirschhorn), Curator of Media ReDEFined, considers the element of surprise in social media.

Lewis DVorkin (@lewisdvorkin), Chief Product Officer at Forbes Media, discusses how he’s tearing down the walls that traditional media built.

Anthony Soohoo (@anthonysoohoo), Co-Founder & CEO of Rumpus and former SVP & GM of Entertainment at CBS Interactive, focuses on the way that the people-powered Web is changing innovation.

Wenda Harris Millard, President of Media Link LLC, advances the notion of a new personal recommendation engine on today’s Web.

Erik Flannigan (@butterking), EVP of Digital Media at MTV Networks Entertainment, shows how to build great relationships with social media fan bases.

Theresia Gouw Ranzetta (@tgr), a Partner at Accel Partners, zeroes in on the way that ecommerce is blazing a trail for social Web publishers.

I have already learned a lot from each of these people and their pieces, and I hope you do, too – not only to build your own ideas, but to help our industry move forward. To that end, I invite further conversation with me, and with our contributors.

The digital dialogue is so essential as we all work to re- invent publishing for 21st century audiences. 

 

To download the complete report, please click here:  Rebooting Media: The Digital Publishing Revolution for a Fully Social Web

by Ben Elowitz

Regular readers know that  it’s only a matter of months before social becomes the most valuable source of traffic for most publishers.

And this month’s Media Industry Social Leaderboard is sure to make you even more convinced.  So let me get straight to it:  From November to December, the amount of traffic the top 50* publishers received from social grew by a whopping 17%.

And, when it comes to who is best benefiting from social, let’s just say I’m personally very proud to announce the new leader, which, for the sake of modesty, I’ll do lower down the page.


Social Traffic Surging

As noted previously, the major changes Facebook announced at September’s f8 event caused a significant blunt in traffic to publishers last fall.  Well, the hangover has ended.  With 385 million aggregate visits to the top 50 publishers in December, volumes have recovered to pre-f8 levels.

The average top 50 publisher is now receiving almost 8 million visits per month from Facebook and Twitter.  And in December, 48 of the top 50 publishers saw increased social traffic levels over November, with these publishers averaging a 2.1 percentage point increase in their composition.

At the same time, Twitter has grown in its contribution to the traffic pie, increasing over the course of the fall months from 2.2% of total in September to 3.4% in December.

A New Leader: Wetpaint Ranks #1

As you know from my prior columns, one of the reasons I’ve published this leaderboard is because we set a goal for Wetpaint to reach #1.  What I didn’t tell you previously is the timing: our goal was to do so by the end of 2011.  And there is nothing we get more proud of here at Wetpaint than meeting our goals.

In December, Wetpaint Entertainment social traffic benchmarked at 20.8% of visits, even as our total traffic was at near-record levels.  (Our internal numbers show an even higher contribution.)  This outranks all of the top 50 web publishers, besting the number-two by nearly five points.

Allow me a moment to kvell:  I could not be more proud of the entire Wetpaint team who have achieved this goal.  Beyond the amazing results, they have built an amazing social distribution system and playbook that leads the industry.  With the virtuous cycle the team has built, we are getting significantly better every month.


Other Movers and Shakers

How did the other leaders from prior months do?  People, the previous leader, improved with 16.1% of traffic from social, increasing by 3.9 percentage points even as it fell to the #2 position.

In third place now, US Magazine vaulted all the way up from position 19, improving from an average 3.9% to achieve 14.3% of their traffic from social.  If you have any idea what drove their results, let me know.

As for places #4 and #5, CBS and NBC traded their two slots, with NBC gaining by 4.2 percentage points while CBS gained by only 3.5 points.   And all of that activity pushed MTV down to #6, gaining far slower than the others.  All the details are, as usual, in the table below.


Facebook Is Sending More Traffic Out

Publishers are clearly benefiting as Facebook delivers on its potential to be not just a network but a social operating system for the internet.  In December, we saw the best increases go to the most social publishers (top 10 on this leaderboard), who saw a 4.5 percentage point increase in social traffic composition month to month.

Innovation is attracting large audiences on Facebook.  In particular, the four publishers driving traffic via social readers have increased their share of Facebook traffic to the Top 50 web publishers by 70%.  Yahoo (not included in the 4 just described) has also begun experimenting with social reader tools across select sites and is seeing strong early results as well.  In just two months, Yahoo! News US has reportedly seen a 300% increase in Facebook traffic, driven by 1 million “reads” shared daily.


The Traffic Land Grab Is On Now

We are clearly in the land grab phase on the social web.  Those who are investing early in social as a top objective stand to gain the most – while others may be left behind.

But as my discussions with other media companies show, social is not a simple check-box initiative.   It requires complete buy-in from the CEO to transform the organization with social distribution technology and expertise.

It can be done, as our own experience at Wetpaint as shown:  In less than two years, we have launched a new property and already outranked all of the top 50 publishers on the web.  Now we want more.  And I hope you do too.

 

Details for all 50 top publishers:

MONTHLY RANKINGS

PUBLISHER

 

 

Dec

Nov

Oct

Name of Publisher (Owner)

URL

Monthly Uniques

% from Social

Change

1

2

3

Wetpaint Entertainment

WETPAINT.COM

                3,076,202

20.8%

10.1%

2

1

1

People

PEOPLE.COM

              13,203,882

16.1%

3.9%

3

21

19

US Weekly

USMAGAZINE.COM

                9,339,801

14.3%

10.4%

4

5

5

NBC Universal

NBC.COM

                6,972,501

12.3%

4.2%

5

4

4

CBS

CBS.COM

                7,367,642

11.7%

3.5%

6

3

2

MTV

MTV.COM

                9,920,294

10.7%

2.1%

7

6

7

TMZ

TMZ.COM

13,208,667

9.6%

2.2%

8

13

16

Break Media

BREAK.COM

                8,603,649

9.4%

4.2%

9

8

6

Major League Baseball

MLB.COM

                6,653,288

9.3%

2.3%

10

9

11

Patch (Aol)

PATCH.COM

9,917,563

8.7%

2.2%

11

14

12

Discovery Channel

DISCOVERY.COM

             12,769,340

8.5%

3.4%

12

7

9

Yahoo!

YAHOO.COM

            167,257,797

7.6%

0.5%

13

10

10

Aol

AOL.COM

              50,093,953

7.4%

1.1%

14

15

15

CNN

CNN.COM

              45,650,334

7.1%

2.1%

15

12

13

IGN (News Corp)

IGN.COM

              10,263,828

6.7%

1.4%

16

23

25

MailOnline

DAILYMAIL.CO.UK

              16,656,093

6.4%

2.8%

17

25

22

TIME

TIME.COM

                9,256,468

6.3%

2.7%

18

16

14

TV Guide

TVGUIDE.COM

                7,546,763

6.0%

1.3%

19

11

8

The Guardian

GUARDIAN.CO.UK

                8,495,543

6.0%

0.0%

20

19

18

FOX News (News Corp)

FOXNEWS.COM

              24,444,163

5.9%

1.3%

21

29

23

CBS News

CBSNEWS.COM

              12,064,240

5.7%

2.6%

22

24

26

CBS Local

CBSLOCAL.COM

9,574,168

5.7%

2.1%

23

20

27

The Washington Post

WASHINGTONPOST.COM

              18,671,039

5.5%

1.4%

24

18

17

MSN

MSN.COM

           111,990,691

5.3%

0.7%

25

30

32

New York Daily News

NYDAILYNEWS.COM

                9,585,617

5.1%

2.1%

26

17

20

BBC News

BBC.CO.UK

              14,480,236

5.1%

0.4%

27

41

36

FORBES

FORBES.COM

              12,232,929

5.0%

3.0%

28

26

31

The Huffington Post (Aol)

HUFFINGTONPOST.COM

              36,196,784

5.0%

1.6%

29

31

28

New York Post

NYPOST.COM

                8,085,270

4.8%

1.8%

30

37

41

Bleacher Report

BLEACHERREPORT.COM

                9,178,003

4.7%

2.4%

31

22

21

New York Times

NYTIMES.COM

              30,575,839

4.6%

0.8%

32

34

29

Cartoon Network (Turner)

CARTOONNETWORK.COM

              10,600,092

4.5%

1.7%

33

33

30

Nickelodeon (MTV Networks)

NICK.COM

                9,752,977

4.5%

1.5%

34

27

24

IMDB (Amazon.com)

IMDB.COM

              38,220,405

4.3%

0.9%

35

32

35

Los Angeles Times (Tribune)

LATIMES.COM

              17,080,642

4.2%

1.2%

36

40

39

FOX Sports (News Corp)

FOXSPORTS.COM

              22,401,409

4.2%

2.0%

37

36

34

Food Network (Scripps)

FOODNETWORK.COM

              19,614,352

3.8%

1.2%

38

39

37

Wall Street Journal (News Corp)

WSJ.COM

              12,521,560

3.6%

1.4%

39

35

33

Allrecipes (Readers Digest)

ALLRECIPES.COM

              25,288,480

3.5%

0.8%

40

45

42

CNET (CBS Interactive)

CNET.COM

            28,948,963

3.1%

1.5%

41

38

38

Reuters

REUTERS.COM

              11,692,493

3.0%

0.7%

42

44

45

CNBC

CNBC.COM

                5,674,719

3.0%

1.3%

43

43

44

Bloomberg

BLOOMBERG.COM

                7,515,601

2.8%

1.1%

44

46

47

Businessweek (Bloomberg)

BUSINESSWEEK.COM

           7,964,543

2.6%

1.0%

45

28

43

USA Today (Gannet)

USATODAY.COM

              17,222,775

2.6%

-0.6%

46

42

40

WebMD

WEBMD.COM

              11,901,016

2.5%

0.5%

47

47

46

LIVESTRONG (Demand Media)

LIVESTRONG.COM

                9,464,669

1.8%

0.5%

48

48

48

About.com (NY Times)

ABOUT.COM

              58,684,194

1.6%

0.6%

49

50

50

eHow (Demand Media)

EHOW.COM

              45,015,977

1.5%

0.8%

50

51

51

ThePostGame (Yahoo)

THEPOSTGAME.COM

              18,321,581

1.4%

0.8%

51

49

49

Mayo Clinic

MAYOCLINIC.COM

                9,198,317

1.4%

0.5%

* The publishers included in the Media Industry Social Leaderboard are the top 50, as ranked by comScore-reported uniques, whose primary business is web publishing.  Once they are selected, data from Compete.com is used to estimate the amount of traffic referred to each by Facebook and Twitter. 

by Ben Elowitz

This article was published as a guest post at TechCrunch, and is republished here for Digital Quarters readers.

Without question, one of the greatest gifts of the human species is our ability to communicate.  We can create, transmit, and absorb ideas with immense freedom in pictures, speech, writing, music, and more.  And yet, from the earliest days of man until very recently, the state of the art of media has been about as sophisticated as cave paintings.

Taking this a step further:

Truly great communicators don’t start out by focusing on their message.  They start with their audience.  They research, observe, and monitor every knowable detail – from background facts beforehand to micro-reactions during the conversation – and adjust their content and delivery precisely, so it will make an impact.  But it’s not like this is a secret formula.  Even toddlers do it, carefully measuring parents’ reactions and perpetually tuning in to the behavior patterns that get them the attention they want.  That tuning is carefully optimized to achieve maximum effect from each individualized recipient.

Meanwhile, media has virtually ignored its audiences.

But it’s finally beginning to open its eyes and ears to them through personalization. I believe that personalization has the greatest potential to transform the media business.

But before we get to that, let’s start with what’s gone wrong in media that has made us blind to our audiences’ cues.

In the world of print and broadcast, there was fundamentally no data about audience interests or reactions.  It was impossible to “read the room,” because the room was pitch black.  If media leaders’ eyes were closed, I’d be hard pressed to blame them; there was nothing to see.

As a result, there were two operating principles that made sense at the time, but which have since become outdated anachronisms.

First, that an editor should serve as oracle for what the audience desires (I call this the “Editor Fallacy”); and second, that content created in that vacuum of data should then be distributed as broadly as possible (let’s call this the “Broadcast Assumption”).

These two assumptions – even though they came from the print and broadcast legacy businesses – have errantly managed to drive the entire Web media mentality.

And the resulting misguided formula – across the board – has been Prophesize, Publish and Proliferate.

The big hope with this media Ouija Board has been that the guesses will be right, and that those who broadcast widely will then draw a big audience.  When the guesses miss the mark with audiences (no surprise there), publishers turn up the volume or amp up the sensationalism. To some degree, this is why the Huffington Post succeeds with its brash and blaring headlines, and it explains why, thanks to Henry, we’ve collectively Blodgetized Web 1.0 media.

But to make room for the new media model of the next 100 years, we need to let these old assumptions fall by the wayside.  The new vision is for media to start doing the work that each member of the audience already does; and that means deliberately selecting and contextualizing the media we each consume.

Putting it simply: media’s great opportunity is to bring the right content to the right person at the right place and time.

And this is where things get very interesting.

Bring Me My Very Own World

The social transformation of the Web has already taken us half way down the road toward a personalized future.

We finally recognize that the Web is made up of people, and Facebook and others have made people and relationships the key “nodes and edges in the graph” of the Web, replacing pages and links.  The social Web is now people-centric; and, increasingly, social is becoming the operating system for the Web at large.  Most impressively, “what my friends like” is already proving to be a good starting point to predict “what I like,” and so much of the Web is beginning to get at least a clue of how to serve us.

Despite this tremendous progress, however, when you go behind the scenes, the Web is still organized by data, not by people. Server data is affiliated with accounts; cookies are associated with Web browsers; and activity logs are tethered by IP addresses.

And yet, as the social revolution has proven, the real value of the transformation has been to stop looking at me as an IP address, a browser, or an account; and to start holistically realizing that I’m a person – I am me.

So, the great opportunity is to move from a Web of sites to “my” Web of me.

Media is at a critical transition point today, because we are about to completely redefine our sense of the audience. Starting now, the audience is no longer one massive opaque agglomeration. It’s not a “them” or an “us”; it’s a lot of individual “me’s.”  (This must-watch from Monty Python paints the picture.)

In this context, the Broadcast Assumption of content creators is completely out of touch with the 21st century zeitgeist.  It revolves around the played-out maxim of “create once, distribute everywhere,” which made sense when audiences were opaque and distribution channels were just big dumb pipes.  But it totally ignores the “me’s” in the audience – when it comes to both creation and distribution.

The bottom line, then, is that media experiences, which used to be one-size-fits-all, must now be customized so they’re just for me.

In other words, the media experience of the future must take a cue from Facebook, and bring my world to me – regardless of where it originated. 

The Six Elements of Ultimate Digital Personalization

Social represents progress toward this vision of fully personalized media, but it’s only one part of the game.

In my view, there are six key elements that contribute to ultimate digital personalization – and these elements are the basis for the ultimate success model in digital media:

  • It’s social – What happens to people close to me is important, because these people are important to me.
  • It’s curated – People aren’t just content sources themselves; they’re also curators. To know me is to know my tastemakers.
  • It’s an experience, not just a stream –Newsfeeds and timelines are a meager start.  Twitter’s 140-character format is great for insiders, but it’s inscrutable for Grandpa. Personalized media should come in all formats – not just a feed.  And it will be more powerful (and more profitable) when it creates an immersive experience.
  • It’s incredibly, incredibly smart about what it recommends, and what it doesn’t – But better than today’s Facebook and Twitter, it brings me the right content, not all content. I trust it to filter the world for me, and to highlight what’s important to me out of billions of pieces of information.
  • It’s self-refining – Speaking for myself, it would know to bring me news about digital media; about my company; about my friends’ reviews of great restaurants in Seattle, LA, and New York; and, in the winter, a helpful article or two on snowboarding tips would be greatly appreciated. It would also turn down articles about Glenn Beck, and turn up the latest find from Brian Stelter. And, before you cry (or scream) “filter bubble,” let’s get it straight that this is what I do already.
  • It’s not just the content that’s personalized – It’s the advertising, too. Today’s version is very primitive: I go to a Web site once and its ads follow me around for weeks. But, instead, my demographics, interests and intent should all combine to inform what ads to show – and not show – me.

After considering these six elements as a whole, I’m most inspired (and encouraged) by Facebook, Twitter, AOL Editions, the recent Flipboard clones, NetFlix, and the potential of a new Siri-powered Apple TV.

Each of these demonstrates the central aspect of this new vision for media: bringing my world to me.

Data Is the Currency of Personalization

To be successful, we all need to be data companies – as data is the clear way to know what our audience wants.  Data is the currency of personalization, and so it is our best path to delighting our audience.

News sites should know by now what topics and stories to program for whom; and no sports site should serve a balanced home page when no sports fan likes all teams equally.

It’s an approach that, of all companies, Yahoo! ‘gets’– and for them it’s been paying huge dividends for a long time.   And so it should for the rest of us.

What this means for media is that it’s not all about the content – instead, it’s all about the audience.  And that means the nature of media has changed.

It’s all about you. It’s all about me.

That’s the digital media future. And we need to start going there today – because audiences are asking (and even demanding) that we pay attention to them, that we really know them, as true individuals.

So, if you’re a publisher, here’s the challenge as you try to create meaningful content experiences today: Each member of your audience – no matter how vast it is – has to become the most important person in the world to you. Or, looking at it in a slightly different way, you have to become deeply involved and digitally intimate on a global scale each and every day.

by Ben Elowitz

When it comes to the emerging world of social operating systems, I’ve said before that there can be multiple winners.  It’s been clear that (at least in the U.S.) LinkedIn is the dominant one for business, while Twitter serves as a backstage wire service for content producers and distributors.

Of course, we’ve all also known intuitively that Facebook has taken the lion’s share of the consumer market.

But until we ran an analysis, I didn’t realize just how extreme Facebook’s domination is when it comes to consumer usage.

How about 95%!!!

That’s on the basis of time spent by U.S. audiences on their PC’s, according to comScore data – and it signifies almost complete control of the category.

In terms of being relevant to consumer audiences, there’s now no question that “social” means “Facebook.”  And, if you want to take advantage of the more than 1 in every 7 minutes of online time that consumers spend on Facebook, you follow one simple rule for media in a social age:

You must be present – in the Facebook newsfeed – to win.


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